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Dorothy McGuire 1916 - 2001

Dorothy Hackett McGuire was born on June 14, 1916 in Omaha, Douglas County, Nebraska United States, and died at age 85 years old on September 13, 2001 in Santa Monica, Los Angeles County, CA. Family, friend, or fan, this family history biography is for you to remember Dorothy McGuire.
Dorothy Hackett McGuire
June 14, 1916
Omaha, Douglas County, Nebraska, United States
September 13, 2001
Santa Monica, Los Angeles County, California, United States
Female
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Dorothy Hackett McGuire's History: 1916 - 2001

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  • Introduction

    Dorothy Hackett McGuire was born on June 14, 1918, in Omaha, Neb., the daughter of Thomas Johnson McGuire, a lawyer, and Isabelle Flaherty McGuire. She showed an early talent for the stage and began to act in the Omaha Little Theater. Her parents' marriage failed, and after her father's death when she was 14, she was sent to a convent school in Indianapolis, where she pursued her interest in acting and played the role of the Virgin Mary in one production. (Years later, she was cast again as the Virgin Mary in George Stevens's 1965 film, ''The Greatest Story Ever Told.'') After leaving the convent school, she went to Pine Manor Junior College in Wellesley, Mass., where she was president of the Mimes and Masks drama club.
  • 06/14
    1916

    Birthday

    June 14, 1916
    Birthdate
    Omaha, Douglas County, Nebraska United States
    Birthplace
  • Ethnicity & Family History

    Dorothy Hackett McGuire was born on June 14, 1918, in Omaha, Neb., the daughter of Thomas Johnson McGuire, a lawyer, and Isabelle Flaherty McGuire. So, she was Irish-American and raised as a Catholic.
  • Early Life & Education

    Her parents encouraged her early interest in acting and she made her debut as a teenager in "A Kiss for Cinderella" at the Omaha Community Playhouse which starred visiting alumni member Henry Fonda. She received her education at Omaha Junior College, Ladywood Convent in Indianapolis, and Pine Manor Junior College in Wellesley, Massachusetts.
  • Professional Career

    Dorothy McGuire Born June 14, 1916 in Omaha, Nebraska, USA Died September 13, 2001 in Santa Monica, California, USA (cardiac arrest) Birth Name Dorothy Hackett McGuire Nickname Dottie Height 5' 5" (1.65 m) Mini Bio (1) A genuine model of sincerity, practicality and dignity in most of the roles she inhabited, actress Dorothy McGuire offered Tinseltown more talent than it probably knew what to do with. A quiet, passive beauty, she had a soothing quality to her open-faced looks and voice. She was a natural when he came to tearjerkers and she certainly had a knack for opening up her film-goer's tear ducts with her arresting performances in sentimental drama. She preferred to rest on her acting laurels than engage in publicity-monging to win roles. As a result, Dorothy was surprisingly ill-served in the awards department during her over five-decade film career, yet left a major imprint on celluloid. Touching, complex, immaculate in poise and style, she is now and forever etched in Hollywood's "Golden Age" annals and in the minds of film lovers everywhere. Dorothy began inconspicuously enough in Omaha, Nebraska on Wednesday, June 14th, 1916. Her parents encouraged her early interest in acting and she made her debut as a teenager in "A Kiss for Cinderella" at the Omaha Community Playhouse which starred visiting alumni member Henry Fonda. She received her education at Omaha Junior College, Ladywood Convent in Indianapolis, and Pine Manor Junior College in Wellesley, Massachusetts before setting her sites on an acting career. Following summer stock she appeared in such 1938 stage productions as "Bachelor Born" and "Stopover" before understudying the role of Emily Gibb in Thornton Wilder's "Our Town" on Broadway, which at the time showcased young Martha Scott. Dorothy eventually replaced Scott in the role. Other experiences came her way on stage with "My Dear Children" starring John Barrymore, "Swingin' the Dream", "Medicine Show", "The Time of Your Life" and "Kind Lady" before she was handed the titular role of "Claudia" in 1941. This gentle comedy became a certifiable Broadway hit and Dorothy simply incandescent as the child-like bride forced to wake up to reality after her sudden marriage. David O. Selznick subsequently signed her to a film contract. Fortunately, 20th Century-Fox, untrue to form, took a chance on the film unknown and allowed her to recreate her stage triumph opposite Robert Young. Claudia (1943) was so beautifully done and warmly received that McGuire and Young went on to recreate their roles three years later with Claudia and David (1946). Unbelievably, Dorothy topped herself in only her second film role. After a pregnant Gene Tierney became unavailable for the role of Katie Nolan in A Tree Grows in Brooklyn (1945), the part fell to Dorothy. It's now hard to believe anyone else in the role. As the impoverished wife of a charming Irish ne'er-do-well and inebriate, Dorothy showed amazing complexity as the detached wife and mother whose painful but necessary decision-making alienates many around her, especially her daughter who is the apple of her daddy's eye. Directed by Elia Kazan, Dorothy was shamefully overlooked at awards time. Young Peggy Ann Garner was given a "special juvenile Oscar" and errant husband James Dunn picked up the Supporting Actor trophy for his work. Dorothy was not of the mind of tooting her own horn and it may have cost her an Oscar nomination -- better yet, the Oscar -- for she was hands down the better performer than eventual winner Joan Crawford, a popular choice for Mildred Pierce (1945). Dorothy made it four film hits in a row with the success of both the sentimental fantasy The Enchanted Cottage (1945), in which she reunited with Robert Young to play two of society's castoffs who fall in love, and the expert Hitchcockian thriller The Spiral Staircase (1946) as the mute servant who is terrorized by a serial killer. Preferring rich characterizations over glamour, audiences saw Dorothy dolled up a bit more than usual in Till the End of Time (1946) as a war widow who falls for a younger hunk (Guy Madison). Her 40s filming was capped by a Best Actress nomination in Gentleman's Agreement (1947), an-anti-Semitic tale that boasted a topnotch ensemble cast including Gregory Peck, John Garfield and Celeste Holm, who won a supporting Oscar for this. With nary a weak film yet on her resume, an unpretentious Dorothy still hadn't achieved top cinematic stardom. Preferring to return to her theater roots, she abandoned films for a couple of years and performed in such vehicles as "Tonight at 8:30" (1947) and "Summer and Smoke" (1950). When she did return it was to a different Hollywood and things would not be the same. Instead forgettable fluff such as Mother Didn't Tell Me (1950) and Callaway Went Thataway (1951) were the slim pickings offered. Although she found a popular hit with Three Coins in the Fountain (1954), the film was more notable for its title song and sumptuous settings than for the quality of acting of the three distaff stars -- McGuire, Maggie McNamara and Jean Peters. Dorothy graciously moved into pillar-of-strength mother roles as she approached her 40s, making fine impressions as a Quaker matriarch in Friendly Persuasion (1956) and as the resourceful mom in three of Disney's endearing classics, Old Yeller (1957), Swiss Family Robinson (1960) and Summer Magic (1963). Her more flawed marital and parenting skills were displayed in the Inge film adaptation of The Dark at the Top of the Stairs (1960), and the huge, sudsy teen hit A Summer Place (1959) with Sandra Dee and Troy Donahue as young, star-crossed lovers. McGuire acted as Donahue's mother who rekindles an old love affair with Dee's father (Richard Egan). The 49-year-old McGuire then played the mother of all mothers, the Virgin Mary, in the misguided biblical epic The Greatest Story Ever Told (1965), marred by its overlong narrative and bizarre miscasting, including John Wayne as a Roman centurion. Her last film, the British-made Flight of the Doves (1971) as an Irish granny, had little impact. In later years Dorothy found rich, rewarding work on TV and received an Emmy nomination for the well-received mini-series Rich Man, Poor Man (1976). She also played Marmee in a TV revisitation of Little Women: Part I (1978), and ended her career in good company with (what else?) a sentimental tearjerker in the mini-movie The Last Best Year (1990) co-starring Bernadette Peters and Mary Tyler Moore. Dorothy's longtime husband was photographer John Swope who died in 1979. Her children by him are Mark Swope, an artist and photographer, and former actress Topo Swope. Dorothy's health declined severely after she fell and broke her leg in 2001. She died of heart failure not long after in a Santa Monica hospital on Friday, September 14th at the age of 85. - IMDb Mini Biography By: Gary Brumburgh / [contact link] Spouse (1) John Swope (18 July 1943 - 11 May 1979) ( his death) ( 2 children) Trivia (22) Children: son, Mark Swope, and daughter, Topo Swope. Married to John Swope, an airline founder and photographer for Life magazine, until his death in 1979. In April of 2002, Dorothy's family was hurt and disappointed after Dorothy's name was unwittingly omitted by the Motion Picture Academy from the "In Memoriam" tribute of the March 2002 telecast. The demure, classy Dorothy, who had died within the calendar year and was nominated once for an Oscar for Gentleman's Agreement (1947), was one of those talented stars who avoided the sensationalism of stardom. The Academy explained that it was NOT an oversight or a slight, but that they have room only for 15-20 names in a single tribute. However, left unexplained was why they managed to include lesser film personalities such as Aaliyah. Died just 11 days after Troy Donahue, who played her son in A Summer Place (1959). In Italy, most of her films were dubbed by Lydia Simoneschi, including Friendly Persuasion (1956). She was occasionally dubbed by Dhia Cristiani, most notably in the Oscar-winning Gentleman's Agreement (1947); Rosetta Calavetta, Rina Morelli and Andreina Pagnani. Starred with 2 members of the Mills family in 2 different Disney films. She played John Mills' wife in Swiss Family Robinson in 1960 and Hayley Mills' mother in Summer Magic in 1963. Not to be confused with singer Dorothy McGuire of The McGuire Sisters. In 1947, Dorothy McGuire, along with Gregory Peck and Mel Ferrer, founded the "La Jolla Playhouse", In La Jolla High School, La Jolla, CA. The name "La Jolla Playhouse" is now applied to a theater complex on the campus of the University of California in San Diego, California. Aunt of Tracy Brooks Swope. Ex-sister-in-law of Margaret Hayes. Sister-in-law of Herbert B. Swope Jr.. After her father's death, McGuire attended a convent school in Indianapolis, Indiana. She later attended Pine Manor Junior College in Wellesley, Massachusetts, serving as president of that school's drama club. She graduated from Pine Manor when she was 19. Born in Omaha, Nebraska, McGuire was the only child of Thomas Johnson McGuire and Isabelle Flaherty McGuire. She began her acting career on the stage at the Omaha Community Playhouse. On the radio, McGuire was a member of the casts of Big Sister (playing Sue Evans) and Joyce Jordan, M.D.. She also appeared in This Is My Best (Miracle in the Rain), Screen Directors Playhouse (The Spiral Staircase) and in Theatre Guild on the Air (Hamlet[5] A Doll's House, Our Town. Brought to Hollywood by producer David O. Selznick (who called her "a born actress") on the strength of her stage performance, McGuire starred in her first film, a movie adaptation of her Broadway success, Claudia, and portrayed the character of a child bride who almost destroys her marriage through her selfishness. Her inaugural screen performance was popular with both the public and critics alike and was the catalyst for not only a sequel, Claudia and David (both movies co-starring Robert Young), but also for numerous other film roles. After spending time working on the radio, eventually, she reached Broadway, first appearing as an understudy to Martha Scott in Our Town, and subsequently starring in the domestic comedy, Claudia. For her contribution to the motion picture industry, Dorothy McGuire has a star on the Hollywood Walk of Fame at 6933 Hollywood Blvd. McGuire died of cardiac arrest following a brief illness at the age of 85 in 2001, three days after 9/11. She was nominated for the Academy Award for Best Actress in 1947 for Gentleman's Agreement. She was awarded the 1975 Los Angeles Drama Critics Circle Award for Distinguished Performance for the play, "The Night of the Iguana," at the Ahmanson Theatre in Los Angeles, California. Was in three Oscar Best Picture nominees; Gentleman's Agreement (1947), Three Coins in the Fountain (1954) and Friendly Persuasion (1956), with Gentleman's Agreement winning in 1947. On August 20, 2019, she was honored with a day of her film work during the Turner Classic Movies Summer Under the Stars. Personal Quotes (4) To this day, I don't know what shapes a Hollywood career. I took it all for granted, I'm sorry to say. When I first read the script, I realized that Katie would have to be played as a rather down-to-earth person. I had such extraordinary breaks from the moment I entered the theater.
  • Personal Life & Family

    Actress. Her soft voice and gentle femininity made her a favorite leading lady in films such as "Gentleman's Agreement" (1947, for which she received an Academy Award nomination for Best Actress) and "Friendly Persuasion" (1956). Born Dorothy Hackett McGuire, she was an only child who started her acting career in her hometown, at the Omaha Community Playhouse. She moved to New York City, New York and appeared on Broadway as an understudy to Martha Scott in "Our Town" and gained her own stardom in the domestic comedy "Claudia." She was brought to Hollywood by producer David O. Selznick on the strength of her stage performance and she starred in her first film, a movie adaptation of her Broadway success, "Claudia" (1943), co-starring Robert Young. She immediately gained popularity with the public and critics alike and was the catalyst for not only a sequel, "Claudia and David" (1946, also co-starring Robert Young), but also for numerous other film roles, including "A Tree Grows in Brooklyn" (1945), "The Enchanted Cottage" (1945), "Till the End of Time" (1946), "The Spiral Staircase" (1946), "Mister 880" (1950), "Three Coins in the Fountain" (1954), "Old Yeller" (1957), "A Summer Place" (1959), "Swiss Family Robinson" (1960), "The Dark at the Top of the Stairs (1960), "The Greatest Story Ever Told" (1965, as the Virgin Mary), and the television film "Little Women" (1978). She also appeared in the television mini-series "Rich Man, Poor Man" (1976) as well as in episodes of "The Love Boat," "St. Elsewhere," and "Highway to Heaven." In 1943 she married Life Magazine photographer John Swope until his death in 1979. She died of a heart attack at the age of 85 in Santa Monica, California following a brief illness. She has a star on the Hollywood Walk of Fame. Bio by: William Bjornstad Family Members Parents Thomas Johnson McGuire 1882–1932 Isabelle M. Flaherty Burkley 1893–1968 Spouse John Swope 1908–1979 (m. 1943) Children Mark Swope 1953–2016
  • 09/13
    2001

    Death

    September 13, 2001
    Death date
    Failing health after a fall.
    Cause of death
    Santa Monica, Los Angeles County, California United States
    Death location
  • Obituary

    Dorothy McGuire, Steadfast Heroine of Film, Dies at 83. By Richard Severo, Sept. 15, 2001 Dorothy McGuire, who came to Hollywood from Broadway to repeat her 1941 stage success in the title role in ''Claudia,'' and went on to have a long and distinguished film career playing sensitive, intelligent and steadfast women, died yesterday in Santa Monica, Calif. She was 83. Miss McGuire broke her leg three weeks ago and then developed arrhythmia, said her daughter, Mary Hackett Swope. Miss McGuire is perhaps best remembered for her portrayal of Katie Nolan, the mother in the 1945 film of Betty Smith's novel ''A Tree Grows in Brooklyn.'' Dealing with the hardships of tenement life in Williamsburg, the film marked Elia Kazan's directorial debut in Hollywood. It also starred James Dunn, who won an Oscar as best supporting actor for his performance as Miss McGuire's doomed husband; Peggy Ann Garner, who received a special Oscar for her role as their daughter Francie; Joan Blondell; and Lloyd Nolan. The following year, Miss McGuire gave what Leonard Maltin and other critics called ''an unforgettable performance'' in Robert Siodmak's ''Spiral Staircase,'' playing a mute servant menaced in a strange household that might be harboring a psychopathic killer. In 1947 Mr. Kazan summoned her again, this time to play opposite Gregory Peck in Moss Hart's adaption of ''Gentlemen's Agreement,'' Laura Z. Hobson's novel about anti-Semitism. The film earned an Academy Award for best picture, and Mr. Kazan received his first Oscar as best director. Celeste Holm won an Oscar as best supporting actress for the film, and Miss McGuire was nominated for best actress but lost to Loretta Young in ''The Farmer's Daughter.'' Another signature role that showcased Miss McGuire's ability to project simplicity, warmth and forbearance was that of the wife of Jess Birdwell (Gary Cooper) and the mother of Josh Birdwell (Anthony Perkins) in ''Friendly Persuasion,'' William Wyler's 1956 film about a Quaker family living in southern Indiana during the Civil War. Miss McGuire remained strongly interested in the stage long after she established herself as a movie actress. In the mid-1940's, she, Mr. Peck, Jennifer Jones, Joseph Cotten, Mel Ferrer and other actors formed the La Jolla Players, a repertory company in California. Over the years, she also appeared in several stage productions in New York, including an adaptation of Sherwood Anderson's ''Winesburg, Ohio'' in 1958 and Tennessee Williams's ''Night of the Iguana'' in 1976. Walter Kerr, reviewing ''The Night of the Iguana'' for The New York Times, said Miss McGuire played the role of the spinster ''with great charm and intelligence.'' Dorothy Hackett McGuire was born on June 14, 1918, in Omaha, Neb., the daughter of Thomas Johnson McGuire, a lawyer, and Isabelle Flaherty McGuire. She showed an early talent for the stage and began to act in the Omaha Little Theater. Her parents' marriage failed, and after her father's death when she was 14, she was sent to a convent school in Indianapolis, where she pursued her interest in acting and played the role of the Virgin Mary in one production. (Years later, she was cast again as the Virgin Mary in George Stevens's 1965 film, ''The Greatest Story Ever Told.'') After leaving the convent school, she went to Pine Manor Junior College in Wellesley, Mass., where she was president of the Mimes and Masks drama club. Graduating from Pine Manor at 19, she came to New York, determined to work as an actress while supporting herself as a model. If anyone asked what she liked to do in her spare time, she would say that she enjoyed Edna St. Vincent Millay's poetry and Debussy's music. In 1938 she got a break of sorts, when she was selected to be Martha Scott's understudy in Thornton Wilder's hit play ''Our Town.'' When Miss Scott went to Hollywood, Miss McGuire took over the role. She did well, but the critics had already seen the play, and her efforts went largely unnoticed, except by her fellow actors. In the late 1930's she played in the road company of ''My Dear Children'' (a vehicle for John Barrymore) and appeared with Benny Goodman, Louis Armstrong and Maxine Sullavan in ''Swingin' the Dream,'' a musical version of Shakespeare's ''Midsummer Night's Dream'' that flopped. But in 1941 she heard that the producer John Golden and the author Rose Franken were looking for someone to play the title role in ''Claudia,'' Miss Franken's play about a child-wife. Miss Franken and Mr. Golden had already auditioned and rejected 208 actresses for the role, made familiar by Miss Franken's 2 novellas and 22 short stories about the character. Miss McGuire was so intimidated by the prospect of auditioning for the role that she almost didn't try out. She knew that she tended to be rather mechanical when she read lines for the first time and didn't think Miss Franken would approve of her. But Miss Franken saw through the stiffness of the audition and concluded that Miss McGuire would be perfect for the part. She was right; the production was a great success. Writing in The Times, Brooks Atkinson said that although Miss McGuire was ''a little inexperienced as an actress, she is personally genuine; the charm she radiates across the play is not merely a theater mannerism.'' Miss McGuire's appearance in ''Claudia'' earned her a special award from the Drama League for the best performance in 1941 by a young actor. She went on tour with the play in June 1942 and a year later arrived in Hollywood to recreate the role on film with Robert Young as her husband, David. ''Claudia'' was a hit, and so was its sequel, ''Claudia and David,'' in which Claudia becomes a mother. The next two decades proved to be especially productive for Miss McGuire. Among her films were ''The Enchanted Cottage'' (1945), in which she and Young starred again, and ''Till the End of Time'' (1946), in which she played a war widow, and Robert Mitchum and Guy Madison portrayed veterans trying to cope with civilian life. In 1950 she toured with the La Jolla Players in Tennessee Williams's ''Summer and Smoke,'' and also starred with Burt Lancaster and Edmund Gwenn in ''Mister 880,'' a charming movie about a small-time counterfeiter. In 1951 she returned to Broadway to appear opposite the young Richard Burton in ''Legend of Lovers,'' Kitty Black's adaptation of a play by Jean Anouilh. Although critics liked Miss McGuire, they did not approve of the production, and it closed after only 22 performances. Her other films included ''Invitation'' (1952), ''Three Coins in the Fountain'' (1954), ''Trial'' (1955), ''A Summer Place'' (1959) and William Inge's ''Dark At the Top of the Stairs'' (1960). During this period she also acted in television, especially for the Hallmark Theater. She also had roles in the films ''Mother Didn't Tell Me'' (1950), ''I Want You'' (1951), ''Callaway Went Thataway'' (1951), ''Make Haste to Live'' (1953), ''This Earth Is Mine'' (1959), ''The Remarkable Mr. Pennypacker'' (1959), ''Swiss Family Robinson'' (1960) and ''Flight of the Doves'' (1971). She was a voice actor in ''Jonathan Livingston Seagull'' (1973). Miss McGuire was married to John Swope, a photographer and producer who died in 1979. Miss McGuire is survived by her daughter and a son, Mark Swope. After her husband's death, she accepted fewer roles. But she did appear in a Los Angeles production of Lillian Hellman's ''Another Part of the Forest'' in 1982 and in Phil Penningroth's ''Ghost Dancing,'' a 1983 television movie in which she played a frail, eccentric widowed farmer who dynamites a reservoir in a battle over water. Reviewing it in The Times, John O'Connor said that Miss McGuire was ''an actress whose presence has been unfailingly elegant'' and that she gave ''a performance of powerful dignity.'' It was praise she was used to hearing.
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12 Memories, Stories & Photos about Dorothy

Dorothy McGuire
Dorothy McGuire
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A great actress.
Dorothy McGuire
Dorothy McGuire
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