Joan Crawford

(1904 - 1977)

A photo of Joan Crawford
Joan Crawford
1904 - 1977
Born
March 23, 1904
Texas
Death
May 10, 1977
New York
Other Names
Joan Crawford
Summary
Joan Crawford was born on March 23, 1904 at Texas. She died on May 10, 1977 at New York at 73 years old. We know that Joan Crawford had been residing in New York, New York County, New York United States.
Updated: January 07, 2021
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Joan Crawford Dies at Home
By PETER B. FLINT
Joan Crawford, who rose from waitress and chorus girl to become one of the great movie stars, died yesterday of a heart attack in her apartment at 158 East 68th Street. She gave her age as 69, but some reference works list her as two to four years older.
Miss Crawford had been a director of the Pepsi-Cola Company since the death of her fourth husband, Alfred N. Steele, the board chairman of the company, in 1959, but she had not been actively involved in the business in recent months.
A spokesman for Pepsi-Cola said Miss Crawford had no history of cardiac trouble and had appeared to be in good health except for recent complaints of back pains.
Miss Crawford was a quintessential superstar--an epitome of timeless glamour who personified for decades the dreams and disappointments of millions of American women.
With a wind-blown bob, mocking eyes and swirling short skirt, she spun to stardom in 1928, frenziedly dancing the Charleston stop a table in the silent melodrama "Our Dancing Daughters."
As a frivolous flapper she quickly made a series of spin-offs, including "Our Modern Maidens," "Laughing Sinners" and "This Modern Age." Endowed with a low voice, she easily made the transition to sound pictures and went on to become one of the more endurable movie queens.
Her career, a chorine-to-grande dame rise, with some setbacks, was due largely to determination, shrewd timing, flexibility, hard work and discipline.
Self-educated and intensely professional, Miss Crawford studied and trained assiduously to learn her art. She made the most of her large blue eyes, wide mouth, broad shoulders and slim figured and eventually became an Oscar-winning dramatic actress.
In more than 80 movies, she adapted easily to changing times and tastes. When audiences began to tire of one image, she toiled to produce a new one. She made the changes with pace-setting makeup, coiffures, costumes--and craftsmanship.
From a symbol of flaming youth in the Jazz Age, she successively portrayed a shopgirl, a sophisticate, a tenacious woman fighting for success in love and/or a career in a male-dominated milieu, and later a repressed and anguished older woman.
Exhibitors voted her one of the 10 top money-making stars from 1932 through 1936, and in the late 1930's she was one of the highest-paid actresses. With a finely structured, photogenic face and high style gowns usually designed by Adrian, she idealized what many woman wished to be.
In 1945, when her career seemed to be foundering, she rebounded as a doting mother and ambitious waitress who rises to wealthy restauranteur in "Mildred Pierce," a role that won her an Academy Award as best actress.
Despite the Cinderella-type roles in many of her early movies, which many reviewers came to term "the Crawford formula," she fought tenaciously for varied and challenging parts, just as she later fought to remain a great star, with what one writer called "the diligence of a ditch digger."
In her autobiography, "A Portrait of Joan," written with Jane Kesner Ardmore and published in 1962 by Doubleday & Company Inc., she acknowledged that "I was always a script stealer," which got her into "Our Dancing Daughters." She boldly cajoled producers, directors and writers to gain good roles. When Norma Shearer refused to play a mother in the 1940 drama "Susan and God," Miss Crawford was offered the role. She responded, "I'd play Wally Beery's grandmother if it's a good part!"

Joan Crawford was born Lucille Fay LeSuer on March 23, 1905, in San Antonio, Texas. Much of Crawford's youth was spent moving from place to place, but she always found a connection with theater. Abused at home and at school, Crawford saw theater as a way to better her life. In 1924 she left Detroit for New York City to star in the musical Innocent Eyes. In 1925 she signed a movie contract with Metro-Goldwyn-Mayer and through a magazine contest sponsored by MGM acquired the name Joan Crawford, a moniker that quickly became known in households across America. Throughout her film career, Crawford starred in a total of 81 films and was nominated for two Academy Awards. In 1945, Crawford won the Oscar for Best Actress for her performance in Mildred Pierce.

Crawford donated much of her time and money to help needy organizations and received a number of awards and certificates in appreciation for her work. In 1955, Crawford married Alfred Steele, chairman and CEO of Pepsi-Cola Corporation, and took on the roles of board member and publicity executive.

In the early 1960s, Crawford arrived at Brandeis University to support the arts program. In 1965, the Joan Crawford Dance Studio was dedicated within the Spingold Theater Arts Center to promote dance education. The awards in this online exhibit were previously on display at the Joan Crawford Dance Studio. In 1967, Crawford became a Brandeis University Fellow. A letter of invitation to her induction dinner states that Crawford was elected as a Brandeis Fellow "given her interest, time and service to a host of civic and philanthropic causes which has endeared her to a large public that goes well beyond the pale of the entertainment industry." When Crawford became a Brandeis Fellow, she joined a group of men and women who were recognized as successful and creative individuals in their fields or communities.

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Biography
Joan Crawford
Most commonly known name
Joan Crawford
Full name
Joan Crawford
Nickname(s) or aliases
New York, New York County, New York United States
Last known residence
Female
Gender
Joan Crawford was born on at Texas
Birth
Joan Crawford died on at New York
Death
Joan Crawford was born on at Texas
Joan Crawford died on at New York
Birth
Death
Heritage
Childhood

Religion

Pearl Bailey was a friend of actress Joan Crawford. In 1969, Crawford and Bailey joined fellow friend Gypsy Rose Lee in accepting a USO Award. In the same year, Bailey was recognized as USO "Woman of the Year". Upon the passing of Crawford in May 1977, Bailey spoke of Crawford as her sister before singing a hymn at her funeral.
Adulthood

Professions

Her major portrayals included a wanton stenographer in the star-studded adaptation of Vicki Baum's "Grand Hotel"; Sadie Thompson, W. Somerset Maugham's vulgar but vulnerable prostitute, in "Rain"; Crystal, a husband-stealing siren in Clare Boothe Luce's satire "The Women"; a scarred blackmailer in "A Woman's Face"; a schizophrenic in "Possessed," and the target of a homicidal husband in "Sudden Fear."
With dedication and skill, she also made commercial successes of what many reviewers scored as inferior vehicles with implausible plots and synthetic dialogue. In 1962 she began a new career in the horror genre, with "What Ever Happened to Baby Jane?" co-starring Bette Davis.
She reveled in being a star and exhaustively cultivated her fan clubs and fans, predominantly women, with gifts and personally written notes--key efforts in maintaining their steadfast loyalty. She expressed delight in having "a hundred people clutching at my coat, clamoring for autographs."
In 1955 she married Alfred N. Steele, the company's board chairman and chief executive officer. Her previous marriages to three actors--Douglas Fairbanks Jr., Franchot Tone and Phillip Terry-- had ended in divorce.
Mr. Steele logged more than 100,000 miles a year in revitalizing the soft-drink company's worldwide activities. She started traveling with him, flying to gala openings of new bottling plants and conventions and serving as hostess of parties on their trips, as well as in their spacious East Side Manhattan penthouse. In 1959, two days after her husband died of a heart attack, she was elected the first woman director of the company's board.
She made scores of national tours, promoting Pepsi-Cola and her films. Accompanying her were large entourages and at least 15 trunks and suitcases for a wardrobe of up to 10 costume changes a day.
In New York, Miss Crawford became a leading benefactor, fund-raiser and honorary official for dozens of philanthropies, explaining to an interviewer in 1971, "I've been on the receiving end of so much good that I feel I have to give something back." Among her many honors were election as a fellow of Brandeis University and designation in 1965 as the first Woman of the Year by the USO - United Service Organizations of New York for her qualities as "an actress, an executive, humanitarian."
Of French and Irish descent, Miss Crawford was born Lucille LeSueur in San Antonio. She listed her birth date as March 23, 1908, but many reference works put it at two to four years earlier. Her parents, Thomas and Anna Johnson LeSueur, separated before her birth, and her mother soon married Henry Cassin, owner of a vaudeville theater in Lawton, Okla. She was known for years as Billie Cassin.
Her youth was harsh. Her family, including her elder brother, Hal LeSueur, moved to Kansas City, Mo., about 1916. Her mother and stepfather soon separated and, from the age of 9, she had to work, first in a laundry, helping her mother, and then in two private schools, St. Agnes Academy and the Rockingham School, where she was the only working student, cooking, washing dishes, waiting on tables and making beds for 30 other youngsters. She did not object to working, she recalled, but to being treated as a slave.
Work prevented her from attending classes. The wife of Rockingham's headmaster often punished her, with broom-handle floggings, she wrote, and falsified her records, which enabled her to enter Stephens College in Columbia, Mo., as a working student. After about three months, aware that she was not academically prepared, she withdrew:
Dancing was her main outlet, and in her early teens she won a Charleston contest in a Kansas City cafe. She worked as a salesgirl, pinching pennies for dancing lessons.
Vowing "to be the best dancer in the world," she went to Chicago, where she danced and sang in a cafe, and then to Detroit, where J. J. Shubert, the producer, picked her from a nightclub chorus line to dance on Broadway in his 1924 revue "Innocent Eyes." Spotted by Harry Rapf, a talent scout for Metro-Goldwyn-Mayer, she was offered a screen test. Passing it, she signed a six-month contract for $75 a week, and on Jan. 1, 1925, set out for Hollywood. The freckle-faced, 5-foot-4 1/2-inch-tall dancer was a little plump, but soon slimmed down by daily jogging, decades before it was voguish.
She plunged into her movie apprenticeship as a chorus girl in "Pretty Ladies," a Zasu Pitts comedy; an ingenue in "Old Clothes" with Jackie Coogan, and a featured dancing role in "Sally, Irene and Mary." She was voted a Wampas "baby star," won a new contract and, because Lucille LeSueur was regarded as awkward to pronounce, was given the name Joan Crawford, the winning entry in a movie-magazine contest. She gained experience and billing playing opposite such actors as Lon Chaney, William Haines and John Gilbert, and rocketed to fame in "Our Dancing Daughters." She passed the talking and singing test in 1929, in "Untamed," co-starring Robert Montgomery, and made eight movies over the years with Clark Gable, most of them box-office hits. They included "Dancing Lady," gliding with Fred Astaire in his movie debut, and "Strange Cargo."
At M.-G.-M. Miss Crawford occasionally broke away from stereotyped casting and won acclaim for distinctive performances. But the best roles went to Greta Garbo and Norma Shearer, the wife of Irving G. Thalberg, the studio's executive production manager. After the two actresses retired, Greer Garson got the plums. Frustrated by formula films, which she termed "undiluted hokum," Miss Crawford asked Metro to drop her contract in 1942, and she left the studio after 17 years. She joined Warner Brothers, but rejected scripts for more than two years until her triumphal return in "Mildred Pierce."
In this and many other movies, she showed, as Richard Schickel wrote in "The Stars," published in 1962, a mastery "of what the trade knows as the 'woman's picture'," in which "she suffers incredible agonies of the spirit in her attempts to achieve love and or success. The women suffer along with Miss Crawford, but are reassured by what they know of her own career, which clearly states that a woman can triumph in a man's world."
In her later career she projected a kind of ageless image. Her roles included the emotionally confused "Daisy Kenyon," a carnival girl and convict in "Flamingo Road," a shrew in "Harriet Craig," a hoofer in "Torch Song," a western ranch-gang leader in "Johnny Guitar," a lonely spinster who marries a psychotic youth in "Autumn Leaves" and many other vehicles of ordeal and anguish. Miss Crawford is survived by her four children: Mrs. Cathy Lalonde, Mrs. Cynthia Jordan Crawford, Christina Crawford, and Christopher, and four grandchildren.

Military Service

In 1969, Crawford and Pearl Bailey joined fellow friend Gypsy Rose Lee in accepting a USO Award. In the same year, Bailey was recognized as USO "Woman of the Year".
Obituary

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Life Expectancy

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Exhibitors voted her one of the 10 top money-making stars from 1932 through 1936, and in the late 1930's she was one of the highest-paid actresses. With a finely structured, photogenic face and high style gowns usually designed by Adrian, she idealized what many woman wished to be.
In 1945, when her career seemed to be foundering, she rebounded as a doting mother and ambitious waitress who rises to wealthy restauranteur in "Mildred Pierce," a role that won her an Academy Award as best actress.
Despite the Cinderella-type roles in many of her early movies, which many reviewers came to term "the Crawford formula," she fought tenaciously for varied and challenging parts, just as she later fought to remain a great star, with what one writer called "the diligence of a ditch digger."
In her autobiography, "A Portrait of Joan," written with Jane Kesner Ardmore and published in 1962 by Doubleday & Company Inc., she acknowledged that "I was always a script stealer," which got her into "Our Dancing Daughters." She boldly cajoled producers, directors and writers to gain good roles. When Norma Shearer refused to play a mother in the 1940 drama "Susan and God," Miss Crawford was offered the role. She responded, "I'd play Wally Beery's grandmother if it's a good part!"

Refresh this page to see various historical events that occurred during Joan's lifetime.

In 1904, in the year that Joan Crawford was born, the United States acquired the Panama Canal Zone. Now an unincorporated territory of the U.S., the Canal Zone had been previously held by the French, who were constructing a canal. The U.S. took over the construction of the Panama Canal and it was finally finished in 1914, when it was opened to commercial shipping. The United States held the Canal Zone until 1979.

In 1919, at the age of merely 15 years old, Joan was alive when in Norfolk Virginia, the first rotary dial telephones were introduced by the American Telephone and Telegraph Company (AT&T), making it easier to make a call without an operator.

In 1923, Joan was 19 years old when on September 1, an earthquake - the Great Kanto earthquake - destroyed one-third of Tokyo. Measuring 7.9 and with a reported duration of between 4 and 10 minutes, casualties totaled about 142,800 deaths, including about 40,000 who went missing and were presumed dead.

In 1933, by the time she was 29 years old, the day after being inaugurated, the new President, Franklin Roosevelt, declared a four-day bank holiday to stop people from withdrawing their money from shaky banks (the bank run). Within 5 days of his administration, the Emergency Banking Act was passed - reorganizing banks and closing insolvent ones. In his first 100 days, he asked Congress to repeal Prohibition (which they did), signed the Tennessee Valley Authority Act, signed legislation that paid commodity farmers to leave their fields fallow, thus ending surpluses and boosting prices, signed a bill that gave workers the right to unionize and bargain collectively for higher wages and better working conditions as well as suspending some antitrust laws and establishing a federally funded Public Works Administration, and won passage of 12 other major laws that helped the economy.

In 1977, in the year of Joan Crawford's passing, on January 21st, President Carter pardoned "draft dodgers" - men who avoided the draft during the Vietnam War. He fulfilled a campaign promise with the pardon. But it only applied to civilian evaders - the estimated 500,000 to 1 million active-duty personnel who went AWOL were not included.

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