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Jules Dassin 1911 - 2008

Jules Dassin was born on December 18, 1911 in Middletown, Connecticut U.S.A.. Jules Dassin was married to Melina Mercouri, and died at age 96 years old on March 31, 2008 in Athens Greece.
Jules Dassin
Julius Dassin
zip code XX701
December 18, 1911
Middletown, Connecticut, U.S.A.
March 31, 2008
Athens, Greece
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Jules Dassin's History: 1911 - 2008

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  • Introduction

    Famous Director. Jules Dassin. Born December 18, 1911 in Middletown, Connecticut, USA Died March 31, 2008 in Athens, Greece (complications from flu) Birth Name Julius Dassin Jules Dassin was an Academy Award-nominated director, screenwriter and actor best known for his films Rififi (1955), Never on Sunday (1960), and Topkapi (1964). Directed the Naked City. He was born Julius Samuel Dassin on 18 December 1911, in Middletown, Connecticut, USA. He was one of eight children of Russian-Jewish immigrants, Samuel Dassin and Berthe Vogel. Young Dassin grew up in Harlem, and Dassin came to Hollywood in 1940, and was an apprentice to directors Alfred Hitchcock and Garson Kanin. In 1941, he made his directorial debut at MGM with adaptation of a story by Edgar Allan Poe. Dassin's best directorial works for Hollywood include such criminal dramas as Brute Force (1947) starring Burt Lancaster; The Naked City (1948), one of the first police dramas shot on the streets of New York; and Night and the City (1950) starring Richard Widmark as a hustler in London who is caught up in his own schemes. While he was assigned by producer Darryl F. Zanuck to make the film, Dassin was accused of affiliation with the Communist Party in his past. Zanuck advised Dassin to "shoot the expensive scenes first, to hook the studio" so the film was finished and released in 1951. Dassin was reported to HUAC in a 1951 testimony by directors Edward Dmytryk and Frank Tuttle. That was enough to sink his career in Hollywood. Dassin was subpoenaed by HUAC in 1952 and eventually became blacklisted after refusing to testify before the House Un-American Activites Committee. He left the United States for France in 1953 and struggled during his first years in Paris. He was not fluent in French, and his connections were limited. However, Dassin's low-budget film, Rififi (1955), famous for its long heist sequence that was free of dialog, won him the Best Director Award at the 1955 Cannes Film Festival. There, he met the Greek actress Melina Mercouri. Later, Dassin co-starred opposite Melina Mercouri in his film Never on Sunday (1960), which won the Best Film Award at Cannes in 1960. At that time, the anti-Communist witch hunt in America was fading, and Dassin was accepted again. He received two Academy Award-nominations for directing and screen-writing for Topkapi (1964), starring Melina Mercouri, Maximilian Schell, and Peter Ustinov. Dassin also served as member of jury at the Cannes and several other international film festivals. Jules Dassin was married twice. He had three children with his first wife, violinist Beatrice Launer. His son, Joe Dassin, was a popular French singer in the 1960s and '70s, with such hits as "Bip Bip," "L'Eté Indien" and "Aux Champs-Èlysées." In 1966, Jules Dassin married Mercouri, an ardent anti-fascist who lost her Greek citizenship for opposing the junta, and the couple was living in Manhattan, remaining very active in their efforts to restore democracy in Greece during the dictatorship of the Colonels. After 1974, the couple returned to Greece, Melina Mercouri became a member of the Greek Parliament, and Culture Minister of Greece. While living in Athens, Dassin was active in the effort to bring the 2500-year-old Elgin marbles of the Parthenon back to Athens from their current location at the British Museum in London. In this and other humanitarian causes, Dassin followed the last will of his late wife, Melina Mercouri. Jules Dassin died of complications caused by a flu, on April 1, 2008, at age 96, at Hygeia Hospital in Athens, Greece. He is survived by two daughters and grandchildren. Spouse (2) Melina Mercouri (18 May 1966 - 6 March 1994) ( her death) Beatrice Launer (1932 - ?) ( divorced) ( 1 child) Had at least three children (two daughters and one son). His son, Joe Dassin (1938-1980), became one of France's most popular singers, with hits such as "Bip Bip", "L'Eté Indien" and "Aux Champs-Èlysées.". Biography in: John Wakeman, editor. "World Film Directors, Volume One, 1890-1945". Pages 190-195. New York: The H.W. Wilson Company, 1987. Father of Julie Dassin. In 1968, was nominated for two Tony Awards: as Best Director (Musical) and as author of the book of Best Musical nominee "Ilya, Darling," a musical version of his film Never on Sunday (1960). Member of jury at the Cannes Film Festival in 1979. Member of the jury at the Berlin International Film Festival in 1984. Became an assistant to Alfred Hitchcock in 1940. Rififi (1955) is widely considered the prototype for films such as Ocean's 11 (1960) and Mission: Impossible (1996). Dassin himself made another film based on "Rififi," his 1964's Topkapi (1964). His film Rififi (1955) was called "the benchmark all succeeding heist films have been measured against," by the LA film critic Kenneth Turan when the film was re-released in 2000. Directed two actors to Oscar nominations: Melina Mercouri (Best Actress, Never on Sunday (1960)), and Peter Ustinov (Best Supporting Actor, Topkapi (1964)). Ustinov won an Oscar for his performance. He has directed one film that has been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: The Naked City (1948). Personal Quotes (3) Louis B. Mayer's arm around your shoulder meant his hand was closer to your throat. The tragedy of Hollywood is that for over a quarter of a century it was harried by these two illiterate, vindictive women. - commenting on Hedda Hopper and Louella Parsons If there is anything I want to be remembered for, it is for fulfilling Melina's dream [the return of the Elgin Marbles to Greece]. (from a 1997 interview)

  • 12/18
    1911

    Birthday

    December 18, 1911
    Birthdate
    Middletown, Connecticut U.S.A.
    Birthplace
  • Ethnicity & Family History

    Russian Jewish.
  • Early Life & Education

    He attended Morris High School in the Bronx, graduating in 1929. After taking acting classes in Europe, he returned to New York. In 1934, he became and actor with the ARTEF Players (Arbeter Teater Farband), and was a member of the troupe until 1939. Dassin played character roles in Yiddish, mainly in the plays by Sholom Aleichem. But upon discovering "that an actor I was not," he switched to directing and writing.
  • Professional Career

    He received two Academy Award-nominations for directing and screen-writing for Topkapi (1964), starring Melina Mercouri, Maximilian Schell, and Peter Ustinov. Dassin also served as member of jury at the Cannes and several other international film festivals.
  • Personal Life & Family

    Dassin's own prospects, given that he had been placed on Hollywood's anti-communist blacklist, were less than bright. He did not work again until 1955, when in France he directed Rififi, a tale of dishonour among thieves, centred on an audaciously detailed jewel robbery, its long heist sequence without music or dialogue. Though the script is superficial, the film gains from the skill with which the action is staged on the streets of Paris, and its great commercial success established Dassin in Europe. He Who Must Die represented a new departure. Based on Nicos Kazantzakis's Christ Recrucified, it takes place in a Turkish-occupied Greek village in 1921, and contrives to be a political morality tale in which the villagers' passion play merges with reality. Intermittently powerful, the film cannot ultimately escape from literary conceit, and in this sense it foreshadows much of Dassin's subsequent work. It also introduced him to the Greek actor Melina Mercouri, with whom his life was from then on to be linked. The couple were married from 1966 until Mercouri's death in 1994.
  • 03/31
    2008

    Death

    March 31, 2008
    Death date
    Influenza
    Cause of death
    Athens Greece
    Death location
  • Obituary

    Jules Dassin American film director and actor renowned for The Naked City, Topkapi and Rififi Tue 1 Apr 2008 19.08 EDT Jules Dassin, the film director, screenwriter and actor, who has died in Athens aged 96, claimed that after the screening of his film He Who Must Die at Cannes in 1957, Jean Cocteau, who was on the jury, fainted with admiration, exclaiming: "To think this beautiful film was made by a Frenchman." Dassin added laconically: "They set the record straight after they brought him round." For the key fact about Dassin, his name notwithstanding, is that he was American, born and raised, a native of Connecticut, and the work on which his reputation rests, such films as Brute Force (1947) and The Naked City (1948), is essentially American in tone. Dassin was fascinated with the theatre, and, after a variety of foreign travels, he worked in the 1930s as an actor with New York's Yiddish Theatre and with the leftwing Group Theatre. He also wrote scripts for radio, and on the strength of this went to Hollywood. He was an assistant director at RKO, then directed several routine pictures for MGM. It was at Universal, under the aegis of the enterprising producer Mark Hellinger, that he made Brute Force, his first personal work. Set in a state penitentiary, and climaxing in an abortive breakout, the film featured the young Burt Lancaster and contained a memorably chilling portrayal by Hume Cronyn of the sadistic chief officer. Considered violent in its day, the film communicates a true sense of desperation. The populist, democratic impulse that is submerged in Brute Force is allowed to surface in his subsequent collaboration with Hellinger, The Naked City. An experiment in American neo-realism, filmed almost entirely on the streets of New York with an unfamiliar cast, the film is in outline a thriller about a police manhunt. But it elaborates this material to highly original effect, creating a vivid portrait of big city life. Thieves' Highway (1949), a melodrama about the trucking industry and racketeering within it, is conventional by comparison, but still displays its director's keen response to milieu, this time the market district of San Francisco. This film was made for Fox, who then, temporarily to forestall the effect of his being named before Huac, sent Dassin to England to make a thriller of a different sort, Night and the City (1950). This film inverts the dynamics of Thieves' Highway: the protagonist (Richard Widmark) is a small-time crook engaged in an ever more frantic pursuit of the chance to strike it rich, and the depiction of nocturnal London is nightmarishly stylised. The drama ends on the banks of the Thames in a grey dawn. Throughout the 1980s, Mercouri was the Greek minister of culture and fought for the return of the Elgin Marbles. Dassin's collaboration with her began with the modest Greek-made comedy Never On Sunday (1960), a commercial hit due in particular to its popular theme tune. Dassin (who had played small roles in Thieves' Highway and Rififi) played opposite Mercouri, lending the enterprise something of the air of a superior home movie. But reaching for neo-classical resonance in such works as Phaedra (1962) or A Dream of Passion (1978), which sought modern parallels with Medea, resulted in works overblown to the point of embarrassment. However, in lighter vein, the caper movie Topkapi (1964) intermittently revived memories of Dassin's early skill with its consummate use of Istanbul locations and in the staging of another complex jewel robbery. And, in 1968, Dassin was able to direct again in the US. The result was Up Tight, a melodrama set in the black ghetto of Cleveland. The script is a transposition of Liam O'Flaherty's The Informer, which does not locate altogether happily to its new surroundings. With his masterly cameraman Boris Kaufman, Dassin managed to lend the story a dimension of tragedy. Dassin's film-making career ended anti-climactically with the Canadian-made Circle of Two (1980). But if his later work described a downward curve, his earlier achievements remain. He will be remembered as a master of the craft of location filming. How much of a master is nicely illustrated by an anecdote from Marvin Wald, one of the writers of The Naked City. He recalled attending a preview and commenting to the director on the effectiveness of a shot during the climax on the Williamsburg bridge, in which a high-angle view looks down past the fugitive murderer to a spread of tennis matches in progress on courts far below. It was, Wald suggested, quite a stroke of luck that the tennis players should have been there at the right time. At this, Dassin snorted. "Lucky?" he said. "Those tennis players were all extras. I put 'em there." He is survived by his daughter Julie from his first marriage: his son Joe was a popular French singer until his death in 1980. Jules Dassin, film director, born December 18 1911; died March 31 2008
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9 Memories, Stories & Photos about Jules

Jules Dassin
Jules Dassin
This is a photo of Jules Dassin added by Amanda S. Stevenson on May 18, 2020.
Date & Place: Not specified or unknown.
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Jules Dassin
Jules Dassin
This is a photo of "Jules" Dassin added by Amanda S. Stevenson on May 17, 2020.
Date & Place: Not specified or unknown.
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I met him with Melina Mercouri when she was on Broadway in ILYA DARLING.
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Joe and Jules Dassin
Joe and Jules Dassin
A photo of Melina Mercouri's stepson and husband. Joe Dassin was a singing star in France but educated in the USA. He died at 42 of a heart attack.
Date & Place: Not specified or unknown.
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Melina Mercouri & Jules Dassin
Melina Mercouri & Jules Dassin
A photo of Melina Mercouri & Jules Dassin.
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Julius "Jules" Dassin
Julius "Jules" Dassin
A photo of Melina Mercouri's husband Jules Dassin. She was the stepmother to Joe Dassin.
Date & Place: Not specified or unknown.
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Jules Dassin's Family Tree & Friends

Jules Dassin's Family Tree

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Melina Mercouri

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Jules' Friends

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