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Great meeting both of them.

Updated Mar 25, 2024
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Great meeting both of them.
Marlene Dietrich and Arthur Kennedy in Rancho Notorious.
Date & Place: Not specified or unknown.
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Arthur Kennedy
Arthur Kennedy Born February 17, 1914 in Worcester, Massachusetts, USA Died January 5, 1990 in Branford, Connecticut, USA (brain tumor) Birth Name John Arthur Kennedy Nickname Johnny Height 5' 10" (1.78 m) Mini Bio (1) Arthur Kennedy, one of the premier character actors in American film from the late 1940s through the early 1960s, achieved fame in the role of Biff in Elia Kazan's historic production of Arthur Miller's Pultizer-Prize winning play "Death of a Salesman." Although he was not selected to recreate the role on screen, he won one Best Actor and four Best Supporting Academy Award nominations between 1949 and 1959 and ranked as one of Hollywood's finest players. Born John Arthur Kennedy to a dentist and his wife on February 17, 1914 in Worcester, Massachusetts. As a young man, known as "Johnny" to his friends, studied drama at the Carnegie Institute of Technology. By the time he was 20 years old, he was involved in local theatrical groups. Kennedy's first professional gig was was with the Globe Theatre Company, which toured the Midwest offering abbreviated versions of Shakespearian plays. Shakesperian star Maurice Evans hired Kennedy for his company, with which he appeared in the Broadway production of "Richard II" in 1937. While performing in Evans' repertory company, Kennedy also worked in the Federal Theatre project. Arthur Kennedy made his Broadway debut in "Everywhere I Roam" in 1938, the same year that he married Mary Cheffrey, who would remain his wife until her death in 1975. He also appeared on Broadway in "Life and Death of an American" in 1939 and in "An International Incident" in 1940 at the Ethel Barrymore Theatre, in support of the great American actress the theater had been named after. Kennedy and his wife moved west to Los Angeles, California in 1938, and it was while acting on the stage in L.A. that he was discovered by fellow actor James Cagney, who cast him as his brother in the film City for Conquest (1940). The role brought with it a contract with Warner Bros., and the studio put him in supporting roles in some prestigious movies, including High Sierra (1941), the film that made Humphrey Bogart a star, They Died with Their Boots On (1941) with Errol Flynn, and Howard Hawks's Air Force (1943) alongside future Best Supporting Actor Oscar winner Gig Young and the great John Garfield. His career was interrupted by military service in World War Two. After the war, Kennedy went back to the Broadway stage, where he gained a reputation as an actor's actor, appearing in Arthur Miller's 1947 Tony Award-winning play "All My Sons," which was directed by Kazan. He played John Proctor in the original production of Miller's reflection on McCarthyism, "The Crucible" - which Kazan, an informer who prostrated himself before the forces of McCarthyism, refused to direct - and also appeared in Miller's last Broadway triumph, "The Price." When Kennedy returned to film work, he quickly distinguished himself as one of the best and most talented of supporting actors & character leads, appearing in such major films as Boomerang! (1947), Champion (1949) (for which he received his first Oscar nomination as Best Supporting Actor) and The Glass Menagerie (1950), playing Tom in a mediocre adaptation of Tennessee Williams's classic play. Kennedy won his first and only Best Actor nomination for Bright Victory (1951), playing a blinded vet, a role for which he won the New York Film Critics Circle award over such competition as Marlon Brando and Humphrey Bogart. Other films included Fritz Lang's 'Rancho Notorious (1951)', Anthony Mann's Bend of the River (1952), William Wyler's The Desperate Hours (1955), Richard Brooks' Elmer Gantry (1960), David Lean's Lawrence of Arabia (1962), and John Ford's Cheyenne Autumn (1964). In 1956, Kennedy won another Best Supporting Actor Oscar nomination for his role in Trial (1955), plus two more Supporting nods in 1958 and 1959 for his appearances in the screen adaptations of Grace Metalious's Peyton Place (1957), and James Jones Some Came Running (1958). Kennedy returned to Broadway frequently in the 1950s, and headlined the 1952 play "See the Jaguar", a flop best remembered for giving a young actor named James Dean one of his first important parts. A decade later, Kennedy replaced his good friend Anthony Quinn in the Broadway production of "Becket", alternating the roles of Becket and Henry II with Laurence Olivier, who was quite fond of working with him. In the 1960s, the prestigious movie parts dried up as he matured, but he continued working in movies and on TV until he retired in the mid-1980s. He moved out of Los Angeles to live with family members in Connecticut. In the last years of his life, he was afflicted with thyroid cancer and eye disease. He died of a brain tumor at 75, survived by his two children by his wife Mary, Terence and actress Laurie Kennedy. He is buried at Woodlawn Cemetery in Lequille, Nova Scotia, Canada. - IMDb Mini Biography By: Jon C. Hopwood Spouse (1) Mary Cheffey (28 March 1938 - 27 April 1975) ( her death) ( 2 children) Trivia (9) Interred at Woodlawn Cemetery, Lequille, Nova Scotia, Canada. Four of Kennedy's five Oscar-nominated performances were directed by Mark Robson: Champion (1949), Bright Victory (1951), Trial (1955), and Peyton Place (1957). His fifth nod, for Some Came Running (1958) was directed by Vincente Minnelli. Edmond O'Brien was originally cast as Jackson Bentley in Lawrence of Arabia (1962). After O'Brien filmed several scenes, he suffered a heart attack and had to be replaced. Kennedy was recommended to director David Lean by Anthony Quinn, whom Kennedy had replaced on Broadway in the role of King Henry II in the play "Beckett" (1960). In 1936, while a struggling actor in New York, Kennedy roomed with David Wayne, Ben Yaffeem, and several others in a West Seventies brownstone. Kennedy twice played Alexander Hamilton on television. Kennedy's actress daughter Laurie won a Tony nomination in 1979 for "Man and Superman.". Alhough his name appears on the video box for the Italian film "Trauma" (1978) (aka "Enigma Rosso" and "Rings of Fear"), he's not in the film or in its credits. His character Jackson Bentley, newspaper man & film maker, in Lawrence of Arabia (1962) is a fictionalized version of real life "discoverer" of T.E. Lawrence, Lowell Thomas. Starred in three Oscar Best Picture nominees: Peyton Place (1957), Elmer Gantry (1960) and Lawrence of Arabia (1962). Lawrence of Arabia won. Personal Quotes (4) [1985, about retiring] I ask myself that frequently. It seems the theater has been on the downcline since the mid-fifties. The pace of television shows is very unappealing to me. I will not live in Hollywood or New York anymore and if they don't see you around they just don't think of you for roles. I guess I'm retired, but if Tony Quinn [Anthony Quinn] told me that there was a hell of a part for me in a picture or play I'd probably do it. Because I'd believe him and I miss his company. I like to work with old friends and there are fewer and fewer of them left. [on English actors] They use film as a method for living well, but theater is their heart's desire. They're always going back to it. [In a 1988 interview on making movies in Italy] They were spaghetti Mafiosos. Only two or three had any quality; but I love to travel and the scripts didn't matter too much. I worked in English, the Italians in their language. There's no direct sound; you have to dub everything. Finally I told my agent to wrap it up. I haven't worked until now. [on Henry Hathaway] A walking encyclopedia of the business. Away from work, he was delightful, but on the set, a holy terror!
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Marlene Dietrich
Born December 27, 1901 in Schöneberg, Berlin, Germany Died May 6, 1992 in Paris, France (kidney failure) Birth Name Marie Magdalene Dietrich Nickname Lili Marlene Height 5' 4½" (1.64 m) Mini Bio (2) Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1924, she married and, although she and Rudolf Sieber lived together only 5 years, they remained married until his death. She was in over a dozen silent films in increasingly important roles. In 1929, she was seen in a Berlin cabaret by Josef von Sternberg and, after a screen test, captured the role of the cabaret singer in The Blue Angel (1930) (and became von Sternberg's lover). With the success of this film, von Sternberg immediately took her to Hollywood, introducing her to the world in Morocco (1930), and signing an agreement to produce all her films. A series of successes followed, and Marlene became the highest paid actress of her time, but her later films in the mid-part of the decade were critical and popular failures. She returned to Europe at the end of the decade, with a series of affairs with former leading men (she had a reputation of romancing her co-stars), as well as other prominent artistic figures. In 1939, an offer came to star with James Stewart in a western and, after initial hesitation, she accepted. The film was Destry Rides Again (1939) - the siren of film could also be a comedienne and a remarkable comeback was reality. She toured extensively for the allied effort in WW II (she had become a United States citizen) and, after the war, limited her cinematic life. But a new career as a singer and performer appeared, with reviews and shows in Las Vegas, touring theatricals, and even Broadway. New success was accompanied by a too close acquaintance with alcohol, until falls in her performance eventually resulted in a compound fracture of the leg. Although the last 13 years of her life were spent in seclusion in her apartment in Paris, with the last 12 years in bed, she had withdrawn only from public life and maintained active telephone and correspondence contact with friends and associates. - IMDb Mini Biography By: Bruce Cameron Marie Magdelene Dietrich von Losch (aka Marlene) was born in Berlin, Germany on December 27, 1901. Her father was an army officer who had served in the Franco-Prussian War. Because of his constant absences from the family due to his army duties, Marlene and the rest had to rely on themselves. When he died, while she was 11, Marlene's mother married Eduard von Losch and he adopted the Dietrich children. Marlene enjoyed music and attended concerts. She was adept at playing the violin and piano. By the time she was in her mid-teens, Marlene had discovered the stage. Acting was to be her vocation. In 1921, Marlene applied for an acting school run by Max Reinhardt. She was accepted. She appeared in several stage production, but never had more than a couple of spoken lines. In short, she wasn't setting the stage world on fire. She attempted films for the first time in 1922 Her first film was The Little Napoleon (1923) which was followed by Love Tragedy (1923). On this last project, she met Rudolf Sieber and married him in 1924. The union lasted until his death in 1976 although they didn't live together that whole time. The remainder of her early film career was generally filled with bit roles that never amounted to a whole lot. After being seen in the German production of The Blue Angel (1930) in 1930, Marlene was given a crack at Hollywood. Her first US film was Morocco (1930) with Gary Cooper later that year followed, by Dishonored (1931) in 1931. This latter movie had her cast as a street walker who is appointed a spy. The film was a rather boring affair but was a success because of Marlene's presence. Movie goers were simply attracted to her. In 1932, Marlene filmed Shanghai Express (1932) which proved to be immensely popular raking in $3 million. Once again, she was cast as a prostitute. The next film was Blonde Venus (1932) which turned out to be a horrible production. Her co-star was Cary Grant and once again she was cast as a prostitute. Marlene seemed to be typecast as a woman of low morals and she wanted different parts. Some films such as Desire (1936) in 1936 didn't do that but she wanted to expand. Her chance came in 1939 in Destry Rides Again (1939) when she was cast as "Frenchy", a Western saloon hostess. This began a new direction for Marlene since it shed the typecasting which she was forced to endure during her career. All through the 1940s, she appeared in well-produced, well-directed films such as Manpower (1942), The Spoilers (1942), The Lady Is Willing (1942) and Pittsburgh (1942) all in 1942. Afterwards the roles came fewer, perhaps one to two films every year. In 1945, Marlene didn't appear in any. She only made seven productions in the 1950's. Her last role of any substance was Judgment at Nuremberg (1961) in 1961. Despite the lack of theatrical roles, Marlene still made appearances on the stage. However, by 1979, she was a shell of her former self. After breaking her leg in one performance, she never made a go of it in show business again. Spending the last 12 years of her life bed-ridden, Marlene died on May 6, 1992 in Paris, France of natural causes at the age of 90. - IMDb Mini Biography By: Denny Jackson Spouse (1) Rudolf Sieber (17 May 1924 - 24 June 1976) ( his death) ( 1 child) Trade Mark (5) Low and sensual voice Wearing tuxedoes, men's hats, and men's tailored suits Her legs Aura of glamour and luxury Her signature scent was Bandit by Robert Piguet Trivia (42) Received the U.S. War Department's 'Medal of Freedom', in 1947, for entertaining American troops in WWII and her strong stand against Naziism. Was made a Chevaliere of the Legion by France. Born at 9:15pm-CET Her estate, consisting of about 300.000 pieces, was bid for 8 million German marks by the city of Berlin, Germany. Interred at Friedhof III, Berlin-Friedenau, Germany. Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#60). [1995] Gave birth to her only child at age 22, a daughter Maria Elisabeth Sieber (aka Maria Riva) on December 13, 1924. Child's father was her husband, Rudolf Sieber. Marlene's father was Lt. Louis Erich Otto Dietrich, who died when she was very young. Her mother remarried to Colonel Eduard von Losch, who was killed in WWI. Her father, a Berlin police lieutenant, died after he fell off a horse when she was ten years old. She sucked lemon wedges between takes to keep her mouth muscles tight. Never worked without a mirror on the set so she could constantly check her makeup and hair. Her make-up man said she kissed so hard that she needed a new coat of lipstick after every kiss. In a posthumous gift of forgiveness, she left her vast collection of memorabilia to the city of Berlin. She demanded that Max Factor sprinkle half an ounce of real gold dust into her wigs to add glitter to her tresses during filming. She prided herself on the fact that she had slept with three men of the Kennedy clan - Joseph P. Kennedy, Joseph P. Kennedy Jr. and John F. Kennedy. Marlene suffered from bacilophobia, the fear of germs. Fell and broke her left leg at her last ever last stage appearance in Sydney, Australia, September 1975. Became an American citizen on March 6, 1937. Ten years after her death, Berlin - the city of Dietrich's birth which she shunned for most of her life - declared her an honorary citizen. On April 18, 2002, the city's legislature bestowed honor on her as "an ambassador for a democratic, freedom-loving and humane Germany." The declaration hoped this "would symbolize the city of Berlin's reconciliation with her." Appears on the sleeve of The Beatles "Sgt Pepper's Lonely Hearts Club Band album. She thought of feet to be the ugliest part of the human body, and therefore always tried to hide them in one way or another
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Amanda S. Stevenson
For fifty years I have been a Document Examiner and that is how I earn my living. For over 50 years I have also been a publicist for actors, singers, writers, composers, artists, comedians, and many progressive non-profit organizations. I am a Librettist-Composer of a Broadway musical called, "Nellie Bly" and I am in the process of making small changes to it. In addition, I have written over 100 songs that would be considered "popular music" in the genre of THE AMERICAN SONGBOOK.
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