Chuck Jones (1912 - 2002)

Chuck Jones
1912 - 2002
updated May 31, 2019
Chuck Jones was born on September 21, 1912. He died on February 22, 2002 in Corona, California at 89 years of age. We know that Chuck Jones had been residing in Corona del Mar, Orange County, California 92625.

CHUCK JONES FAMOUS CARTOONIST was born as Charles Martin Jones (September 21, 1912 – February 22, 2002) He was an American animator, filmmaker, cartoonist, author, artist, and screenwriter, best known for his work with Warner Bros. Cartoons on the Looney Tunes and Merrie Melodies shorts. He wrote, produced, and/or directed many classic animated cartoon shorts starring Bugs Bunny, Daffy Duck, Wile E. Coyote and the Road Runner, Pepé Le Pew, Porky Pig, Michigan J. Frog, the Three Bears, and a slew of other Warner characters. After his career at Warner Bros. ended in 1962, Jones started Sib Tower 12 Productions, and began producing cartoons for Metro-Goldwyn-Mayer, including a new series of Tom and Jerry shorts and the television adaptation of Dr. Seuss' How the Grinch Stole Christmas!. He later started his own studio, Chuck Jones Enterprises, which created several one-shot specials, and periodically worked on Looney Tunes related works. Jones was nominated for eight Academy Awards, winning three times. He won for the cartoons For Scent-imental Reasons, So Much for So Little, and The Dot and the Line. Robin Williams presented Jones with an Honorary Academy Award in 1996 for his iconic work in the animation industry. Film historian Leonard Maltin has praised Jones' work at Warner Bros., MGM and Chuck Jones Enterprises. He also said that the "feud" that there may have been between Jones and colleague Bob Clampett was mainly because they were so different from each other. In Jerry Beck's The 50 Greatest Cartoons, ten of the entries were directed by Jones, with four out of the five top cartoons (including first place) being Jones shorts.
Jones was born on September 21, 1912, in Spokane, Washington, the son of Mabel McQuiddy (Martin) and Charles Adams Jones. He later moved with his parents and three siblings to the Los Angeles, California area.
In his autobiography, "Chuck Amuck," Jones credits his artistic bent to circumstances surrounding his father, who was an unsuccessful businessman in California in the 1920s. His father, Jones recounts, would start every new business venture by purchasing new stationery and new pencils with the company name on them. When the business failed, his father would quietly turn the huge stacks of useless stationery and pencils over to his children, requiring them to use up all the material as fast as possible. Armed with an endless supply of high-quality paper and pencils, the children drew constantly. Later, in one art school class, the professor gravely informed the students that they each had 100,000 bad drawings in them that they must first get past before they could possibly draw anything worthwhile. Jones recounted years later that this pronouncement came as a great relief to him, as he was well past the 200,000 mark, having used up all that stationery. Jones and several of his siblings went on to artistic careers.
During his artistic education, he worked part-time as a janitor. After graduating from Chouinard Art Institute, Jones got a phone call from a friend named Fred Kopietz, who had been hired by the Ub Iwerks studio and offered him a job. He worked his way up in the animation industry, starting as a cel washer; "then I moved up to become a painter in black and white, some color. Then I went on to take animator's drawings and traced them onto the celluloid. Then I became what they call an in-betweener, which is the guy that does the drawing between the drawings the animator makes". While at Iwerks, he met a cel painter named Dorothy Webster, who later became his first wife. Jones joined Leon Schlesinger Productions, the independent studio that produced Looney Tunes and Merrie Melodies for Warner Bros., in 1933 as an assistant animator. In 1935, he was promoted to animator, and assigned to work with new Schlesinger director Tex Avery. There was no room for the new Avery unit in Schlesinger's small studio, so Avery, Jones, and fellow animators Bob Clampett, Virgil Ross, and Sid Sutherland were moved into a small adjacent building they dubbed "Termite Terrace". When Clampett was promoted to director in 1937, Jones was assigned to his unit; the Clampett unit was briefly assigned to work with Jones' old employer, Ub Iwerks when Iwerks subcontracted four cartoons to Schlesinger in 1937. Jones became a director (or "supervisor", the original title for an animation director in the studio) himself in 1938 when Frank Tashlin left the studio. The following year Jones created his first major character, Sniffles, a cute Disney-style mouse, who went on to star in twelve Warner Bros. cartoons. He was actively involved in efforts to unionize the staff of Leon Schlesinger Studios. He was responsible for recruiting animators, layout men, and background people. Almost all animators joined, in reaction to salary cuts imposed by Leon Schlesinger. The Metro-Goldwyn-Mayer cartoon studio had already signed a union contract, encouraging their counterparts under Schlesinger.In a meeting with his staff, Schlesinger talked for a few minutes, then turned over the meeting to his attorney. His insulting manner had a unifying effect on the staff. Jones gave a pep talk at the union headquarters. As negotiations broke down, the staff decided to go on strike. Schlesinger locked them out of the studio for a few days, before agreeing to sign the contract. A Labor Management Committee was formed and Jones served as a moderator. Because of his role as a supervisor in the studio, he could not himself join the union. Jones created many of his lesser-known characters during this period, including Charlie Dog, Hubie and Bertie, and The Three Bears.
'Outpost', a Private Snafu cartoon directed by Chuck Jones in 1944
During World War II, Jones worked closely with Theodor Geisel, better known as Dr. Seuss, to create the Private Snafu series of Army educational cartoons (the character was created by director Frank Capra). Jones later collaborated with Seuss on animated adaptations of Seuss' books, including How the Grinch Stole Christmas! in 1966. Jones directed such shorts as The Weakly Reporter, a 1944 short that related to shortages and rationing on the home front. During the same year, he directed Hell-Bent for Election, a campaign film for Franklin D. Roosevelt. Jones created characters through the late 1940s and the 1950s, which include Claude Cat, Marc Antony and Pussyfoot, Charlie Dog, Michigan J. Frog, and his four most popular creations, Marvin the Martian, Pepé Le Pew, Wile E. Coyote and The Road Runner. Jones and writer Michael Maltese collaborated on the Road Runner cartoons, Duck Amuck, One Froggy Evening, and What's Opera, Doc?. Other staff at Unit A that Jones collaborated with include layout artist, background designer, co-director Maurice Noble; animator and co-director Abe Levitow; and animators Ken Harris and Ben Washam.
Jones remained at Warner Bros. throughout the 1950s, except for a brief period in 1953 when Warner closed the animation studio. During this interim, Jones found employment at Walt Disney Productions, where he teamed with Ward Kimball for a four-month period of uncredited work on Sleeping Beauty (1959). Upon the reopening of the Warner animation department, Jones was rehired and reunited with most of his unit.
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Chuck Jones Biography

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Chuck Jones
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Male
Gender
Chuck
First name
Unknown
Middle name
Jones
Last name(s)
Charles Martin Jones
Nickname(s) or aliases
Corona del Mar, Orange County, California 92625
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Chuck Jones was born on
Birth
Chuck Jones died on in Corona, Riverside County, California United States
Death
Chuck Jones was born on
Chuck Jones died on in Corona, Riverside County, California United States
Birth
Death
Heart Failure
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Professions

Famous and Award Winning Motion Picture Cartoonist, Writer and Producer known as CHUCK JONES.
In the early 1960s, Jones and his wife Dorothy wrote the screenplay for the animated feature Gay Purr-ee. The finished film would feature the voices of Judy Garland, Robert Goulet and Red Buttons as cats in Paris, France. The feature was produced by UPA and directed by his former Warner Bros. collaborator, Abe Levitow. Jones moonlighted to work on the film since he had an exclusive contract with Warner Bros. UPA completed the film and made it available for distribution in 1962; it was picked up by Warner Bros. When Warner Bros. discovered that Jones had violated his exclusive contract with them, they terminated him. Jones' former animation unit was laid off after completing the final cartoon in their pipeline, The Iceman Ducketh, and the rest of the Warner Bros. Cartoons studio was closed in early 1963..
With business partner Les Goldman, Jones started an independent animation studio, Sib Tower 12 Productions, and brought on most of his unit from Warner Bros., including Maurice Noble and Michael Maltese. In 1963, Metro-Goldwyn-Mayer contracted with Sib Tower 12 to have Jones and his staff produce new Tom and Jerry cartoons as well as a television adaptation of all Tom and Jerry theatricals produced to that date. This included major editing, including writing out the African-American maid, Mammy Two-Shoes, and replacing her with one of Irish descent voiced by June Foray. In 1964, Sib Tower 12 was absorbed by MGM and was renamed MGM Animation/Visual Arts. His animated short film, The Dot and the Line: A Romance in Lower Mathematics, won the 1965 Academy Award for Best Animated Short Film. Jones directed the classic animated short The Bear That Wasn't. As the Tom and Jerry series wound down (it was discontinued in 1967), Jones produced more for television. In 1966, he produced and directed the TV special How the Grinch Stole Christmas!, featuring the voice and facial models based on the readings by Boris Karloff.
Jones continued to work on other TV specials such as Horton Hears a Who! (1970), but his main focus during this time was producing the feature film The Phantom Tollbooth, which did lukewarm business when MGM released it in 1970. Jones co-directed 1969's The Pogo Special Birthday Special, based on the Walt Kelly comic strip, and voiced the characters of Porky Pine and Bun Rab. It was at this point that he decided to start ST Incorporated.
MGM closed the animation division in 1970, and Jones once again started his own studio, Chuck Jones Enterprises. He produced a Saturday morning children's TV series for the American Broadcasting Company called The Curiosity Shop in 1971. In 1973, he produced an animated version of the George Selden book The Cricket in Times Square and would go on to produce two sequels.
Three of his works during this period were animated TV adaptations of short stories from Rudyard Kipling's Mowgli's Brothers, The White Seal and Rikki-Tikki-Tavi. During this period, Jones began to experiment with more realistically designed characters, most of which having larger eyes, leaner bodies, and altered proportions, such as those of the Looney Tunes characters. Jones resumed working with Warner Bros. in 1976 with the animated TV adaptation of The Carnival of the Animals with Bugs Bunny and Daffy Duck. Jones also produced the 1979 film The Bugs Bunny/Road Runner Movie which was a compilation of Jones' best theatrical shorts; Jones produced new Road Runner shorts for The Electric Company series and Bugs Bunny's Looney Christmas Tales (1979), and even newer shorts were made for Bugs Bunny's Bustin' Out All Over (1980).
From 1977 to 1978, Jones wrote and drew the newspaper comic strip Crawford (also known as Crawford & Morgan) for the Chicago Tribune-NY News Syndicate. In 2011 IDW Publishing collected Jones' strip as part of their Library of American Comic Strips.
In 1978, Jones' wife Dorothy died; three years later, he married Marian Dern, the writer of the comic strip Rick O'Shay.
Jones–Avery letter
On December 11, 1975, shortly after the release of Bugs Bunny Superstar, which prominently featured Bob Clampett, Jones wrote a letter to Tex Avery, accusing Clampett of taking credit for ideas that were not his, and for characters created by other directors (notably Jones's Sniffles and Friz Freleng's Yosemite Sam). Their correspondence was never published in the media. It was forwarded to Michael Barrier, who conducted the interview with Clampett and was distributed by Jones to multiple people concerned with animation over the years. Robert McKimson claimed in an interview that many animators but mostly Clampett contributed to the crazy personality of Bugs, while others like Chuck Jones concentrated more on the more calmed-down gags. As far as plagiarism is concerned, McKimson claimed the animators would always be looking at each other's sheets to see if they could borrow some punchlines and cracks.

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Through the 1980s and 1990s, Jones was painting cartoon and parody art, sold through animation galleries by his daughter's company, Linda Jones Enterprises. Jones was the creative consultant and character designer for two Raggedy Ann animated specials and the first Alvin and the Chipmunks Christmas special A Chipmunk Christmas. He made a cameo appearance in the 1984 film Gremlins and directed the Bugs Bunny/Daffy Duck animated sequences that bookend its sequel Gremlins 2: The New Batch (1990).
Jones directed animated sequences for various features such as a lengthy sequence in the 1992 film Stay Tuned and a shorter one seen at the start of the 1993 film Mrs. Doubtfire. Also during the 1980s and 1990s Jones served on the advisory board of the National Student Film Institute.
Jones' final Looney Tunes cartoon was From Hare to Eternity in 1997, which starred Bugs Bunny and Yosemite Sam, with Greg Burson voicing Bugs. The cartoon was dedicated to Friz Freleng, who had died in 1995. Jones' final animation project was a series of 13 shorts starring a timber wolf character he had designed in the 1960s named Thomas Timber Wolf. The series was released online by Warner Bros. in 2000.From 2001 until 2004, Cartoon Network aired The Chuck Jones Show which features shorts directed by him. The show won the Annie Award for Outstanding Achievement in an Animated Special Project.
In 1999, Jones founded the non-profit Chuck Jones Center for Creativity, in Costa Mesa, California, an art education "gymnasium for the brain" dedicated to teaching creative skills, primarily to children and seniors, which is still in operation.
Death
Jones died of heart failure on February 22, 2002. He was cremated and his ashes were scattered at sea. After his death, the Looney Tunes cartoon Daffy Duck for President, based on the book that Jones had written and using Jones' style for the characters, originally scheduled to be released in 2000, was released in 2004 as part of disc three of the Looney Tunes Golden Collection: Volume 2 DVD set.

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1912 - 2002 World Events

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In 1912, in the year that Chuck Jones was born, in October, former President Theodore Roosevelt was shot, but not killed, while campaigning for another term as President with the newly created Bull Moose (Progressive) Party. John Schrank was a Bavarian-born saloon-keeper from New York who had been stalking Roosevelt when he shot him just before a campaign speech. Shot in the chest (and showing the audience his bloody shirt), Roosevelt went on to give a 55 to 90 minute talk (reports vary on the length) before being treated for the injury. After 8 days in the hospital, Roosevelt went back on the campaign trail.

In 1926, at the age of just 14 years old, Chuck was alive when on October 31st, Harry Houdini died in Michigan. Houdini was the most famed magician of his time and perhaps of all time, especially for his acts involving escapes - from handcuffs, straitjackets, chains, ropes slung from skyscrapers, and more. He was president of the Society of American Magicians and stringently upheld professional ethics. He died of complications from a ruptured appendix. Although he had received a blow to the area a couple of days previously, the connection between the blow and his appendicitis is disputed.

In 1930, Chuck was 18 years old when as head of the Motion Picture Producers and Distributors of America, William Hays established a code of decency that outlined what was acceptable in films. The public - and government - had felt that films in the '20's had become increasingly risque and that the behavior of its stars was becoming scandalous. Laws were being passed. In response, the heads of the movie studios adopted a voluntary "code", hoping to head off legislation. The first part of the code prohibited "lowering the moral standards of those who see it", called for depictions of the "correct standards of life", and forbade a picture from showing any sort of ridicule towards a law or "creating sympathy for its violation". The second part dealt with particular behavior in film such as homosexuality, the use of specific curse words, and miscegenation.

In 1942, by the time he was 30 years old, from January 7th through April 9th, the Battle of Bataan was fought in the Philippines. At the end of the battle, the U.S. and Filipino forces surrendered and a three-year occupation of the Philippines by Japan began. Between 60,000 and 80,000 American and Filipino soldiers surrendered and were marched around 60 to 69 miles - most were beaten, abused, or killed. Named the Bataan Death March, it was later declared to be a war crime.

In 1950, by the time he was 38 years old, on October 2, Charlie Brown appeared in the first Peanuts comic strip - created by Charles Schultz - and he was the only character in that strip. That year, Schultz said that Charlie was 4 years old, but Charlie aged a bit through the years.

Other Biographies

Other Chuck Joneses

Dec 31, 1969 - May 1, 1957
c. 1966 - Unknown
c. 1973 - Unknown
Oct 6, 1938 - Feb 17, 2006

Other Joneses

Feb 7, 1906 - Dec 17, 1990
Feb 2, 1909 - January 1979
Mar 10, 1890 - February 1964
Feb 12, 1914 - December 1984
Jan 7, 1916 - May 27, 1998
Oct 29, 1915 - Aug 29, 2003
Jun 17, 1962 - Nov 17, 2006
Jun 15, 1968 - May 12, 2004
Sep 1, 1957 - July 1983
Oct 4, 1909 - September 1981
Feb 19, 1883 - January 1974
Sep 23, 1908 - Jan 16, 2000
Sep 26, 1905 - June 1985
May 10, 1908 - January 1980
Apr 9, 1901 - December 1968
Jan 19, 1908 - February 1975
Jan 3, 1888 - September 1964
Nov 24, 1883 - February 1964
Jun 21, 1911 - March 1986
Sep 5, 1915 - Jul 13, 2004

Other Bios

Mar 15, 1906 - November 1980
May 2, 1905 - September 1969
May 1, 1888 - May 1972
Jun 15, 1895 - July 1963
Jul 4, 1901 - May 1983
Jan 16, 1919 - Sep 7, 2006
Oct 21, 1894 - January 1989
May 17, 1912 - September 1944
Apr 4, 1896 - January 1984
Jan 10, 1916 - Dec 30, 2008
Jul 26, 1904 - July 1979
Nov 21, 1889 - June 1952
Nov 1, 1898 - February 1971
Aug 30, 1909 - Mar 22, 1997
Mar 3, 1911 - December 1967
Oct 7, 1903 - May 26, 1996
May 6, 1913 - Jul 18, 1990
Dec 17, 1911 - Apr 15, 1997
Nov 15, 1916 - Jul 14, 2010
Jan 28, 1910 - Jan 28, 2000
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