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Frederick C. Tillis 1930 - 2020

Frederick C. Tillis was born on January 5, 1930 in Galveston, TX, and died at age 90 years old on May 4, 2020.

Frederick C. Tillis
Frederick C. Tillis
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January 5, 1930
Galveston, TX
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May 4, 2020
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Updated: May 4, 2020
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Frederick C. Tillis Frederick Tillis (1930 - 2020)
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Frederick C. Tillis' History: 1930 - 2020

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  • Introduction

    Biography Composer-performer-educator- and poet, Frederick Tillis was born in Galveston, Texas on January 5, 1930. He is a graduate of Wiley College, receiving his B.A. at the age of 19, then received his M.A. and Ph.D. in Music Composition from the University of Iowa. His catalog includes more than 125 compositions and commissions, spanning both jazz and classical European traditions in various media - orchestral, jazz, instrumental, choral, chamber music, and vocal works. Melodic and harmonic textures reflect elements of various musics of the world, including Asian and Western cultures, as well as natural outgrowths of his ethnic and cultural background. Tillis' music is performed nationally and abroad. Among his commissioned compositions are "A Symphony of Songs," a choral/orchestral work based on poems by Wallace Stevens and commissioned by The Hartford Chorale, Inc. (1999); "A Festival Journey," (1992) and "Ring Shout Concerto," (1974) for percussion, written for Max Roach and premiered by Max Roach and symphony orchestra; and "Concerto for Piano" (Jazz Trio) and symphony orchestra (1983) written for Billy Taylor and performed with the Springfield Symphony Orchestra. Dr. Tillis has been the recipient of numerous honors and awards, including the 1997 Commonwealth Award from the Massachusetts Cultural Council, and an award for outstanding service from the Inte... Composer-performer-educator- and poet, Frederick Tillis was born in Galveston, Texas on January 5, 1930. He is a graduate of Wiley College, receiving his B.A. at the age of 19, then received his M.A. and Ph.D. in Music Composition from the University of Iowa. His catalog includes more than 125 compositions and commissions, spanning both jazz and classical European traditions in various media - orchestral, jazz, instrumental, choral, chamber music, and vocal works. Melodic and harmonic textures reflect elements of various musics of the world, including Asian and Western cultures, as well as natural outgrowths of his ethnic and cultural background. Tillis' music is performed nationally and abroad. Among his commissioned compositions are "A Symphony of Songs," a choral/orchestral work based on poems by Wallace Stevens and commissioned by The Hartford Chorale, Inc. (1999); "A Festival Journey," (1992) and "Ring Shout Concerto," (1974) for percussion, written for Max Roach and premiered by Max Roach and symphony orchestra; and "Concerto for Piano" (Jazz Trio) and symphony orchestra (1983) written for Billy Taylor and performed with the Springfield Symphony Orchestra. Dr. Tillis has been the recipient of numerous honors and awards, including the 1997 Commonwealth Award from the Massachusetts Cultural Council, and an award for outstanding service from the International Association of Jazz Educators. As Professor of Music at the University of Massachusetts, he taught music composition and a survey course in the history of Afro-American Music & Musicians. Beginning his professional performing career at the age of 12, as a jazz saxophonist, he traveled with the Tillis-Holmes Jazz Duo and the Tradewinds Jazz Ensemble to Australia, Austria, Belgium, China, England, Fiji, France, Germany, Greece, Italy, Japan, Luxembourg, Mexico, Netherlands, New Zealand, Poland, the former Soviet Union, Switzerland, and Turkey. As an educator and cultural ambassador, Tillis visited the University of Fort Hare in South Africa to advise in the establishment of their jazz studies program, served as a Master Artist in residence at the Akiyoshidai International Art Village in Yamaguchi, Japan and conducted a three-week residency on behalf of the United States Information Agency at Chulalongkorn University in Bangkok, Thailand in 1991 to help the school establish a major in jazz. Dr. Tillis has published a text book entitled Jazz Theory and Improvisation and fifteen books of poetry: In the Spirit and the Flesh; Images of Mind and Heart; In Celebration; Of Moons, Moods, Myths, and the Muse; Harlem Echoes; Children's Corner: From A to Z; Seasons, Symbols, and Stones; Akiyoshidai Diary; Scattered Ghosts & Southern Winds; Bittersweet Harvest; Breaking Dawn & Healing; The Nature of Things: Human and Otherwise; Beginning Again; China-Shades, Shadows, and Scenes; and Ghosts and Winds in Eqypt's Lands. Dr. Tillis is Professor Emeritus in the Department of Music and Dance and serves as Director Emeritus of the University Fine Arts Center and Director Emeritus of the Jazz in July Workshops in Improvisation at the University of Massachusetts at Amherst.
  • 01/5
    1930

    Birthday

    January 5, 1930
    Birthdate
    Galveston, TX
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  • Early Life & Education

    Texas. Iowa. Texas. Iowa. Mass. Compositions Autumn Concerto for Trumpet (1979) – Jazz orchestra. Duration: 10 minutes The Blue Express (1973) – Jazz orchestra. Duration: 5 minutes Blue Stone Differencia (1972) – Jazz orchestra. Duration: 5 minutes Brass Quintet (1962) – Duration: 10 minutes. Publisher: New York, General Music. Premiere: 1972; University of Iowa, Iowa City, Iowa. Recording: Serenus 12066 (1976) Celebration, Grand March (1966) – Concert band. Duration: ca. 5 minutes 30 seconds. Commissioned by Morehouse College, Atlanta, Georgia. Premiere: 1966; Morehouse College, Atlanta, GA Concerto for Piano (1977) – Jazz orchestra. Two parts. Duration: 19 minutes. Premiere: 1977; Fine Arts Center, University of Massachusetts Amherst, Amherst Concerto for Piano (1979) – Jazz trio and symphony orchestra. In two parts. Revised 1982. Duration: ca. 20 minutes. Commissioned by Springfield Symphony Orchestra. Written for Billy Taylor. Publisher: New York, Composer Facsimile Edition Concerto for Trio Pro Viva And Orchestra (1980) – Flute, violoncello, piano, and orchestra. Duration: 21 minutes 7 seconds. Commissioned by the Richmond Symphony Orchestra. The Cotton Curtain (1966) – Orchestra. Duration: 4 minutes 45 seconds. Publisher: New York, Composer Facsimile Edition. NOTE: Written for student orchestra. Designs for Orchestra, Nos. 1 and 2 (1963) – Duration: No. 1 ca. 7 minutes; No. 2 ca. 5 minutes 30 seconds. Publisher: New York, Composer Facsimile Edition. Premiere: 1968; Atlanta, Georgia; Atlanta Symphony Orchestra. NOTE: Ph.D. Dissertation; abstract in Dissertation Abstracts XXIX, 6, 2513. Can be performed separately Elegy (1983) – Jazz orchestra. Duration: 5 minutes 6 seconds. Commissioned by the Howard University Jazz Ensemble Fantasy on a Theme by Julian Adderley (A Little Taste) (1975) – Jazz orchestra. Duration: 10 minutes. Premiere: 4 November 1975; Amherst, Massachusetts; University of Massachusetts Amherst Jazz Workshop. Five Spirituals for Chorus and Brass Choir (1976) – Contents: 1. I'm Gonna Sing; 2. The Urgency; 3. Salve Savage in the Spin; 4. All About Are the Cold Places; 5. The Time. Duration: ca. 20 minutes. Text by Gwendolyn Brooks. Commissioned by the University of Massachusetts Amherst Choral. Publisher: New York, Composers Facsimile Edition. Premiere (Nos. 1, 3, 5): Summer 1976; University of Massachusetts Amherst Chorale on European tour. In a Spirited Mood (1961) – Brass quintet and baritone horn. Duration: 4 minutes 45 seconds. Publisher: New York, Joshua Corporation. Premiere: 1965; Grambling College, Grambling, Louisiana. In Memory of (1984) – Double quartet and trumpet, tenor saxophone, drum set, and string bass. In the Spirit and the Flesh (1985) – Orchestra and mixed chorus. Contents: 1. Life; 2. Every Time I Feel the Spirit. Duration: 20 minutes. Commissioned by the Atlanta Symphony Orchestra. Dedicated to Robert Shaw and the Memory of Dr. Martin Luther King Jr. Text: "Life" by Paul Lawrence Dunbar. Score: CBMR. Inauguration Overture (1988) – Orchestra or concert band. Duration: ca. 6 minutes. Commissioned by Spelman College for the inauguration of Johnnetta Betsch Cole. Cor Variations (1977) – Jazz ensemble. Duration: 9 minutes 30 seconds. Premiere: 1977; University of Massachusetts Fine Arts Center; Amherst, MA. Metamorphosis on a "Scheme" By J.S.Bach (1972) – Jazz ensemble. Duration: ca. 5 minutes. Premiere: 1972; University of Massachusetts Amherst Jazz Workshop; Amherst, MA. NOTE: Written for a jazz workshop at the University of Massachusetts Militant Mood for Brass Sextet (1961) – Duration: ca. 4 minutes 45 seconds. Publisher: New York, Composers Facsimile Edition Motions for Trombone and Piano (1964) – Duration: ca. 10 minutes 30 seconds. Publisher: New York, Composers Facsimile Edition. Premiere: 1965; Contemporary Composers Forum; Illinois Wesleyan University; Bloomington, Illinois; Leroy Humphrey, trombone; Abraham Plum, piano. NOTE: Written for Leroy Humphrey Music for an Experimental Lab, Ensemble No. 2 (1967) – Soprano flute, 2 trumpets, piano. Duration: 2 minutes. Text: "Gloria." Premiere: 1968; Kentucky State College, Frankfort, Kentucky. Nayarac: Fantasy on Duke Ellington's Caravan (1974) – Jazz orchestra. Duration: ca. 6 minutes. Premiere: 1974; University of Massachusetts Amherst Jazz Workshop. NOTE: Written for jazz workshop at University of Massachusetts Amherst Niger Symphony (1975) – Chamber orchestra. In two parts. Duration: 13 minutes. Commissioned by the Hartford (Connecticut) Chamber Symphony Orchestra. Publisher: New York, Composer Facsimile Edition. Premiere: July 1975; Hartford, Connecticut; Hartford Chamber Orchestra; Daniel Parker, conductor Nobody Knows (1986) – Double quartet (string quartet, trumpet, tenor saxophone, drum set, string bass). Duration: 8 minutes 8 seconds One Dozen Rocks, Inc. (1971) – Jazz ensemble. Duration: 5 minutes 25 seconds. Premiere: 1971; University of Massachusetts Amherst Jazz Workshop. NOTE: Written for jazz workshop at University of Massachusetts Amherst Overture to a Dance for Concert Band (1961) – Duration: 10 minutes 30 seconds. Publisher: New York, Composers Facsimile Edition. Premiere: 1962; Wiley College; Marshall, Texas. NOTE: Short analysis in "Concert Band Music by Black-American Composers," The Black Perspective in Music 6.2 (Fall 1878):143–50, by Thomas Everett Passacaglia for Brass Quintet (1950) – Duration: 4 minutes. Publisher: New York, Joshua Corp. Premiere: 1950; Wiley College, Marshall, Texas Pastorale for Wind Ensemble (1974) – Duration: 8 minutes. Publisher: New York, Composers Facsimile Edition Quintet for Brass (1962) – Duration: 10 minutes. Publisher: New York, General Music Co Ring Shout Concerto for Percussionist And Orchestra (1973–74) – Duration: 20 minutes. Dedicated to Max Roach. Publisher: New York, Composer Facsimile Edition. Score: CBMR. Premiere: 1974; University of Massachusetts Amherst Symphony; Ronald Steele, conductor; Max Roach, soloist Saturn (1978) – Jazz orchestra. Duration: 8 minutes Secrets of the African Baobob (Variations for Modern Dance/Ballet) (1976) – Jazz orchestra. Duration: 10 minutes. Premiere: 1976; University of Massachusetts Amherst Fine Arts center; Amherst, Massachusetts Seton Concerto for Trumpet (1973) – Jazz orchestra. Duration: 9 minutes. Commissioned by Richard Williams, New York Spiritual Cycle (1978) – Soprano and orchestra. Text by Robert Hayden. Contents: 1. On Lookout Mountain; 2. Lord Riot; 3. And All the Atoms Cry Aloud. Duration: 15 minutes. Commissioned by the Fine Arts Center, University of Massachusetts. Score: CBMR Spiritual Fantasy No. 1 For Piccolo, Trumpet, and Piano (1980) – Duration: 9 minutes 3 seconds. Commissioned by Fred Irby III, Washington. Publisher: New York, Composers Facsimile Edition Spiritual Fantasy No. 5 for Horn and Piano (1982) – Duration: 8 minutes Spiritual Fantasy No. 6 for Trumpet and Symphony Orchestra (1982) – Duration: 9 minutes Spiritual Fantasy No. 9 ("Symphony") – SATB and brass quintet Symphony In Three Movements (Nacirfa Nroh) (1969–70) – Duration: 15 minutes, 2 seconds Three Symphonic Spirituals (1978) – Orchestra. Duration: 11 minutes 6 seconds. Contents: 1. We Shall Overcome; 2. Deep River; 3. Swing Low, Sweet Chariot. Commissioned by Columbia Records. Score: CBMR Variants on a Theme by John Coltrane (Naima) (1979) – Jazz orchestra. Duration: 6 minutes 30 seconds Poetry books by Tillis In the Spirit and the Flesh, E Publications (1989) Images of Mind and Heart E Publications (1991) In Celebration (1992) Of Moons, Moods, Myths, and the Muse, P & P Publications (1993) Harlem Echoes (1995) Children's Corner: From A to Z (1997) Seasons, Symbols, and Stones (1999) Akiyoshidai Diary (2000) Scattered Ghosts and Southern Winds Bittersweet Harvests (2001) Breaking Dawn and Healing (2005) The Nature of Things (2006) Textbooks by Tillis Jazz Theory and Improvisation: A Manual of Keyboard, Instrumental (or vocal), and Aural Practice, Silhouette Music Corp., New York (1977) Discography Frederick Tillis: Freedom, New World Records (1996) Motherless Child Spiritual Fantasy No. 12: Nobody Knows the Trouble I See Spiritual Fantasy No. 12: Wade in the Water Spiritual Fantasy No. 12: Crucifixian (He Never Said a Mumbelin' Word) Spiritual Fantasy No. 12: I'm A-Rollin' Spiritual Fantasy No. 9 (Sympathy) Freedom Beyond Shades of Doubt The Rain Forest Singing for The Sake of My Soul The Best Times

  • Professional Career

    Composer and Musician and Professor. List of recordings available: ACA Festival 2004 Spiritual Fantasy No. 23 Festival Journey Concerto - Spiritual Fantasy No. 9 - Freedom (In Memory of Dr. Martin Luther King) A Latin American Suite University of Massachusetts Orchestra Four Corners of the World Motherless Child - Spiritual Fantasy No. 12 - Spiritual Fantasy No. 9 - Freedom - Beyond Shades of Doubt - The Rain Forest - Singing for the Sake fo My Soul - The Best Times Music for Peace and Goodwill Four Corners of The World - In the Spirit and the Flesh - Spiritual Fantasy #1 - For The Victims and Survivors of September, 11 American Trumpet Concertos Spiritual Fantasy No. 6 ACA Festival 2006 Spiritual Fantasy Suite ACA Festival 2009 Song for Sister Hokkaido Jazz- American Classical Music Autumn Concerto for Trumpet - Images of the Blue Earth - Duet For Soprano Saxophone and Piano - The Time Has Come - Blue Differentia - Spanish and Indian Drone - Oil in My Vessel - Image of Blue Earth Celebration (Grand March) Unbekannt Frederick Tillis as a performer: Music of WC Handy, Charlie Parker, Billy Taylor and many others. Among Friends: The Billy Taylor Trio and Fred Tillis Harlem Blues Billy Taylor, piano; Victor Gaskin, bass; Bob Thomas, drums; Fred Tillis, tenor & soprano saxophone Includes The Holidays by Fred Tillis Paintings in Sound for Solo Saxophone, Frederick Tillis Motherless Child (Trad./Tillis) - One for Ray - Sombrero Dance - Rhymes and Rhythms - Sophisticated Lady (Ellington/Tillis) - A Different Drumming I - Besame Mucho (Velazquez/Tillis) - Ride the Wind - Toh Ryan Se (Trad. Japanese/Tillis) - A Different Drumming II - The Time Has Come - Golden Earrings It's About Time Spiritual Fantasy No. 5 Laura Klock: Horn, Nadine Shank: Piano Label: Albany Yael Manor/Elixir Music for solo piano Spiritual Fantasy No. 4 Festival Journey Concerto Max Roach, trap drums (soloist); The New Orchestra of Boston - David Epstein, conductor Spiritual Fantasy No. 9 Paulina Stark, soprano (soloist); University of Massachusetts Chorale - Richard du Bois, conductor Freedom (In Memory of Dr. Martin Luther King) University of Massachusetts Chorale - Richard du Bois, conductor
  • 05/4
    2020

    Death

    May 4, 2020
    Death date
    Unknown
    Cause of death
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  • Obituary

    Frederick C. Tillis Frederick Charles Tillis Born 5 January 1930 (age 90) Galveston, Texas, United States Nationality American Education Central Side High School Alma mater Wiley College, University of Iowa University of North Texas College of Music Occupation Composer, professor of music, jazz saxophonist, poet. Employer: University of Massachusetts Amherst Style: Classical music Twelve-tone technique Experimental Frederick Charles Tillis (January 5, 1930 - May 4, 2020) was an American composer, jazz saxophonist, poet, and music educator at the collegiate level. Early life Growing up Born in Galveston, Texas on January 5, 1930, Frederick Tillis was raised by his mother, Zelma Bernice Gardner, née Tillis (1913–2004), and his stepfather, General Gardner, and his maternal grandparents, Willie Tillis and Jessie Tillis-Hubbard (1893–1979). His first musical experiences were courtesy of his mother, who played piano and sang to him as a child. Later, at George Washington Carver Elementary School, Tillis decided to join the school's drum and bugle corps. As he became more proficient on trumpet, Tillis found his first professional job as a musician in jazz bands when he was twelve years old, earning him the nickname "Baby Tillis". Tillis' band director at Central Side High School, Fleming S. Huff, suggested that he start playing the saxophone. Post secondary education In 1946, Tillis was accepted at Wiley College on a music scholarship, and thus became the first person in his family to receive a college education. He graduated from Wiley in 1949 with a B.A. in music, accepting the position of college band director there almost immediately. He also married fellow Wiley music major Louise at this time. They moved from Texas in 1951 so that Tillis could attend the University of Iowa for graduate music studies. At this time, he also decided to volunteer in the United States Air Force at the outbreak of the Korean War, and became director of the 356th Air Force Band. He later went back to get his PhD under the GI Bill at University of North Texas College of Music, but then returned to the University of Iowa to finish his doctoral studies. Career as educator and composer Completing his PhD in 1963, Tillis then held a succession of academic positions at Wiley College, Grambling College, and Kentucky State University. In 1970, Randolph Bromery recruited Tillis to the faculty of the University of Massachusetts Amherst, and he and his family moved to Massachusetts. Joining the faculty as an associate professor of music, Tillis eventually held many faculty and administrative positions during his tenure at the University of Massachusetts. He retired in 1997, but still holds the title of Professor Emeritus in the Department of Music and Dance. Tillis serves as Director Emeritus of the University Fine Arts Center and Director of the Jazz in July Workshops in Improvisation at the University of Massachusetts Amherst. Tillis wrote music since the age of twenty, and was influenced by Schoenberg, Bach, Prokofiev, Mussorgsky, African-American composers, and world music. Some of Tillis' more notable compositions include A Symphony of Songs, a choral/orchestral work based on poems by Wallace Stevens and commissioned by The Hartford Chorale, Inc. (1999); A Festival Journey (1992), and Ring Shout Concerto (1974), for percussion, written for Max Roach; and Concerto for Piano (Jazz Trio) and symphony orchestra (1983) written for Billy Taylor. Tillis also wrote several books of poetry, as well as the textbook Jazz Theory and Improvisation.
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Frederick C. Tillis
Photo of Amanda S. Stevenson Amanda S. Stevenson
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Frederick C. Tillis
Photo of Amanda S. Stevenson Amanda S. Stevenson
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05/04/2020
Frederick C. Tillis
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Frederick C. Tillis
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Frederick C. Tillis
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Other Biographies

Other Tillis Family Biographies

Tillis, Dwight (Jan 10, 1945 - Jul 11, 2001) Tillis, Benjamin (Dec 2, 1896 - Sep 1982) Tillis, Samuel (Mar 10, 1910 - Dec 8, 1997) Tillis, Ethel (Jan 30, 1905 - Aug 28, 1989) Tillis, Reba (Sep 16, 1913 - May 16, 1999) Tillis, Katherine (Oct 5, 1918 - Dec 1980) Tillis, Nancy (Feb 7, 1939 - Apr 2, 2003) Tillis, Isidore (Aug 25, 1900 - Jul 1967) Tillis, Bernard (Dec 12, 1910 - Aug 22, 1995) Tillis, Barry (Apr 9, 1950 - Jul 21, 2009)
Tillis, Gertrude (Sep 1, 1924 - Apr 8, 1999) Tillis, Maurice (Mar 3, 1918 - Nov 1967) Tillis, Roy (Oct 20, 1913 - Jul 29, 1998) Tillis, Stanley (Sep 29, 1927 - Sep 14, 1997) Tillis, Anna (Mar 15, 1899 - Dec 1977) Tillis, Benjamin (Sep 3, 1889 - May 1980) Tillis, Anna (Apr 12, 1892 - Jul 8, 1993) Tillis, Frances (May 5, 1930 - Oct 22, 2009) Tillis, Glenna (Dec 19, 1898 - Oct 8, 1990) Tillis, Howard (Jul 28, 1930 - Feb 1987)
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