John Ehle, Who Rooted His Novels in Appalachia, Is Dead at 92
His novels were praised in part for the dignity he gave his fictional mountain people.
By Richard Sandomir April 12, 2018
John Ehle, whose historical novels set in the Appalachian Mountains were acclaimed for the authenticity of the characters’ lives, and whose work for the governor of North Carolina in the 1960s led to significant changes in arts education, died on March 24 at his home in Winston-Salem, N.C. He was 92.
His death was announced by the University of North Carolina, Chapel Hill, which he attended and where he taught for a dozen years.
Mr. Ehle, who had been married to the British actress Rosemary Harris since 1967, wrote radio dramas, biographies, a nonfiction account of student civil rights protests at Chapel Hill, a history of the Cherokee Nation, and a guide to French and British wines and cheeses.
But he is best known for his seven Appalachian novels, which were partly inspired by stories he heard from his mother’s family, whose roots in the mountains went back several generations.
Mr. Ehle’s cycle began with “The Land Breakers” (1964), which takes place in the late 18th century, and ended with “Last One Home” (1984), which brought his characters into the Great Depression.
Critics praised Mr. Ehle (pronounced EE-lee) for the epic sweep of his stories, their vivid detail, realistic dialogue, and the dignity with which he invested mountain people who have often been stereotyped as hillbillies.
Kirkus Reviews called “The Land Breakers” — whose main character, Mooney Wright, settles land in the Appalachian wilderness in 1779 — a “full novel of birth, death, laughter, and sadness spun out by a storyteller with a rare ability to convey ‘the way it must have been.’ ”
Mr. Ehle’s books were usually well-reviewed and earned him a place in the canon of Appalachian literature. But he did not find a vast readership in the United States.
One fan, though, was Harper Lee, who lauded “The Land Breakers” when it was republished in 2006 by Press 53, a small Winston-Salem publisher.
“John Ehle’s meld of historical fact with ineluctable plot-weaving makes ‘The Land Breakers’ an exciting sample of masterful storytelling,” Ms. Lee wrote.
And, three years later, the Canadian writer Michael Ondaatje told The Globe and Mail that “The Land Breakers” was “a great American novel, way beyond anything most New York literary icons have produced.” But, he lamented, Mr. Ehle remained “shockingly unknown.”
Kevin Morgan Watson, the publisher and editor in chief of Press 53, had been unaware of Mr. Ehle before he reprinted “The Land Breakers.”
“I had just started the press four months prior and then I met with John and read his bio,” he said in a telephone interview. “I couldn’t believe I hadn’t heard of this man. From the first chapter, I knew I was dealing with a masterful writer.”
Press 53 has republished six other books by Mr. Ehle.
The next book in his Appalachian cycle was “The Road” (1967), a Reconstruction-era novel about Weatherby Wright, a white mountaineer who uses inventive engineering methods and convict labor to build a railroad from the lowlands to an isolated mountain region near Asheville, N.C.
In a review in The Chicago Tribune, the author James Stokely described “The Road” as an “epic” that brought to life “the minutiae of everyday events” and “the physical ordeal of mud-stained animals” and “men blasting, cutting and bleeding the mountainside.”
John Marsden Ehle Jr. was born in Asheville on Dec. 13, 1925, to John Sr., an insurance salesman, and the former Gladys Starnes. He grew up in West Asheville.
“The Bible was the main book, the only book, that my mother really wanted in the house,” Mr. Ehle told The Appalachian Journal in 2005. “She suspected that the others contained materials that, had she read them, she would not have approved.”
After serving as an Army rifleman in Europe and Asia with the 97th Infantry Division during World War II, Mr. Ehle received a bachelor’s degree in radio, television, and motion pictures and a master’s in dramatic arts at U.N.C. He taught there from 1951 to 1963.
His reputation as an advocate for the arts got a public airing in May 1961, when he wrote a two-part article in The Raleigh News and Observer saying that the university was failing to inspire its students of creative writing, dramatic art, and music and languages.
“The University hasn’t been doing very well of late — I hear that wherever I go,” he wrote. “State College booms along. Raleigh has a good spirit. Not this place, just 27 miles away.”
He and his wife, the actress Rosemary Harris, sought to integrate white prep schools.
Joel Fleishman, a legal assistant to Terry Sanford, the Democratic governor of North Carolina at the time, recalled in an email that at the time he had already known Mr. Ehle and his concerns about the arts at the school and invited him to the governor’s mansion in 1962 to talk about improving the state on many fronts as Mr. Sanford headed into his last two years in office.
Mr. Ehle said the governor had asked the 10 or 12 invitees what they thought should be done.
“Well, sir, there were various views expressed,” Mr. Ehle said to an interviewer in 1995 for the Southern Oral History Program at U.N.C., “Somebody thought he should do something about highway safety. Somebody said we should do something about pig farms, that if we could get more pig farms and we all agree on the same kind of pigs, we could rival Denmark or somewhere, with their pigs. I didn’t have any ideas when he came to me.”
Mr. Fleishman, now a professor at the Duke University School of Law, said in an email that Mr. Ehle may have been modest in his recollection. Nonetheless, Mr. Ehle soon after joined the Sanford administration as a special consultant despite his concern that the position would deprive him of the time he needed to finish a novel.
As an adviser he became a font of ideas that led to the creation of what is now the University of North Carolina School of the Arts; summer Governor’s Schools for the state’s brightest high school students; a state-run Learning Institute to provide research on improving education; and a state film board. He also helped develop an antipoverty program called the North Carolina Fund.
“John definitely was the quarterback who drove the development” of those initiatives, Mr. Fleishman said.
Mr. Ehle left Gov. Sanford’s office in May 1964, after about 18 months, and told U.S. News & World Report: “With a creative state government you can start tremendous educational and cultural programs almost beyond the imagination.”
He soon began to write “The Free Men” (1965), his civil rights book.
But he continued to do educational work. At the Anne C. Stouffer Foundation, which was dedicated to finding qualified black students to integrate white preparatory schools, he and Ms. Harris traveled together and audiotaped their interviews with candidates. In one recording, Mr. Ehle asked one student about his experience with integration.
“Well, several summers ago, I went to a camp that was integrated,” the student said. “But other than that I haven’t been in contact very much with, um, many white boys and girls.”
“You don’t really have any dislike for them, though, do ya?” Mr. Ehle asked.
“No,” the student responded. “I don’t understand why Negroes and whites can’t get along.”
Besides Ms. Harris — who has won Tony, Emmy, and Golden Globe Awards — Mr. Ehle’s survivors include a daughter, Jennifer Ehle, a two-time Tony Award-winning actress, and two grandchildren. His marriage to Gail Oliver ended in divorce.
“When we got married,” Ms. Harris told The New York Times in 1986, “John and I had a fantasy that we would sit on either side of the fireplace in the evenings and he would read me what he’d written during the day and I would make helpful comments. But the first time that happened, we had an argument. So we decided that, since we had managed to get so far in our careers without each others’ advice, we would continue that way.”
ADVERTISEMENT
BY
Looking for more information?