Eve Arden, Otto Kruger and Rita Hayworth

Otto Kruger of Los Angeles, Los Angeles County, California was born on September 6, 1885, and died at age 89 years old in September 1974.

Margarita Carmen Cansino was known professionally as Rita Hayworth. Rita,'s parents were Spanish dancer Eduardo Cansino and Ziegfield Follies performer Volga Hayworth. She had two brothers, Eduardo Jr. and Vernon. Rita's mother wanted her to be an actress and her father wanted her to become a professional dancer. (Dancing was especially strong on her father's side, his father was renowned as a classical Spanish dance, popularizing the bolero), She took dance lessons beginning at the age of 3, at her father's insistence. Although she said later that "I didn't like it very much . . . but I didn't have the courage to tell my father, so I began taking the lessons. Rehearse, rehearse, rehearse, that was my girlhood". In 1927, her father took the family to Hollywood, hoping that dancing would become popular in the movies. He opened a dance studio, teaching stars like Jimmy Cagney and Jean Harlow. 12-year-old partnered with her father in 1931, dying her hair black (from brown). Because she was too young to work legally in California, they opened in a show in Tijuana. In 1934, Rita took a bit part in the film "Cruz Diablo" while she was still dancing in nightclubs with her father. She was seen in the "Caliente Club' by an executive at Fox Film Corp. and signed a contract with him as "Rita Cansino". Her first speaking role was as an Argentinian girl in 1935. Roles followed as a Egyptian and a Russian at Fox. At the end of her contract with Fox, the studio merged with 20th Century Fox with Darryl Zanuck at the head. Zanuck wasn't impressed with Rita and gave her next proposed role to Loretta Young ("Ramona") and did not renew Rita's contract. That's when Rita's first husband came into the picture, promoter Edward C Judson. He got freelance work for her at several small studios. Studio Head then signed her to a 7-year contract. After Judson persuaded her to change her surname from Cansino to Hayworth and suggested that she change her hair color to dark red (as well as getting electrolysis to 'raise her hairline and broaden the appearance of her forehead", Rita appeared in less "ethnic" and bigger roles. By 1940, she was starring in movies like "Music in My Heart" and "The Lady in Question". She returned to Columbia Pictures, evening making two films with Fred Astaire. Fred later said that his favorite dancing partner was Rita but he went on, "All right, I'll give you a name", he said. "But if you ever let it out, I'll swear I lied. It was Rita Hayworth. She fulfilled both parent's dreams - a dancer and an actor!" Read the statement by Ronald Reagan, a fellow actor and President of the United States, issued after her death at Rita Hayworth: Professions

Eve Arden (April 30, 1908 – November 12, 1990) was an American film, stage, and television actress, and comedian. She performed in leading and supporting roles over nearly six decades. Beginning her career on Broadway in the early 1930s, Arden's first major role was in the RKO Radio Pictures drama Stage Door (1937) opposite Katharine Hepburn, followed by roles in the comedies Having Wonderful Time (1938) and At the Circus (1939), starring the Marx Brothers. Arden would go on to earn an Academy Award nomination for Best Supporting Actress for her role in Mildred Pierce (1945). In the latter part of her career, she played the sardonic but engaging title character of a high school teacher in Our Miss Brooks, winning the first Primetime Emmy Award for Outstanding Lead Actress in a Drama Series, and as the school principal in the musicals Grease (1978) and Grease 2 (1982). Early life Arden was born Eunice Mary Quedens in Mill Valley, California on April 30, 1908[1][2][3] to Charles Peter Quedens, son of Charles Henry Augustus and Meta L. (née Dierks) Quedens, and Lucille (née Frank) Quedens, daughter of Bernard and Louisa (née Mertens) Frank, both of German descent. Lucille, a milliner, divorced Charles over his gambling, and went into business for herself. Although not Roman Catholic, young Eunice was sent to a Dominican convent school near Modesto, and later attended Tamalpais High School, a public high school in Mill Valley until age 16. After leaving school, she joined a stock theater company. She made her film debut under her real name in the backstage musical Song of Love (1929), as a wisecracking, home-wrecking showgirl who becomes a rival to the film's star, singer Belle Baker. The film was one of Columbia Pictures' earliest successes. In 1933, she relocated to New York City, where she appeared in multiple Broadway stage productions in supporting parts. In 1934, she was cast in that year's Ziegfeld Folliesrevue. This was the first role in which she was credited as Eve Arden. Told to change her name for the show, she looked at her cosmetics and "stole my first name from Evening in Paris and the second from Elizabeth Arden". Between 1934 and 1941, she would appear in Broadway productions of Parade, Very Warm for May, Two for the Show, and Let's Face It!. Her film career began in earnest in 1937 when she signed a contract with RKO Radio Pictures,[8] and appeared in the films Oh Doctor and Stage Door. Her Stage Door portrayal of a fast-talking, witty supporting character gained Arden considerable notice and was to be a template for many of Arden's future roles.[6][9] In 1938, she appeared in a supporting part in the comedy Having Wonderful Time, starring Ginger Rogers and Lucille Ball.[10] This was followed by roles in the crime film The Forgotten Woman (1939), and the comedy At the Circus (1939), opposite Groucho Marx, a role that would require her to perform acrobatics. In 1940, she appeared opposite Clark Gable in Comrade X, followed by the drama Manpower (1941), opposite Marlene Dietrich. She also appeared in a supporting part in the Red Skelton comedy Whistling in the Dark (1941), and the romantic comedy Obliging Young Lady(1942). Her many memorable screen roles include a supporting role as Joan Crawford's wise-cracking friend in Mildred Pierce (1945) for which she received an Academy Award nomination as Best Supporting Actress, and James Stewart's wistful secretary in Otto Preminger's murder mystery, Anatomy of a Murder (1959). (One of her co-stars in that film was husband Brooks West.) In 1946, exhibitors voted her the sixth-most promising "star of tomorrow". She became familiar to a new generation of film-goers when she played Principal McGee in both 1978's Grease and 1982's Grease 2. She was known for her deadpan delivery of jokes in films. Arden's ability with witty scripts made her a natural talent for radio; she became a regular on Danny Kaye's short-lived but memorably zany comedy-variety show in 1946, which also featured swing bandleader Harry James and gravel-voiced character actor-comedian Lionel Stander. Kaye's show lasted one season, but Arden's display of comic talent and timing set the stage for her to be cast in her best-known role, Madison High School English teacher Connie Brooks in Our Miss Brooks. Arden portrayed the character on radio from 1948 to 1957, in a television version of the program from 1952 to 1956, and in a 1956 feature film. Arden's character clashed with the school's principal, Osgood Conklin (played by Gale Gordon), and nursed an unrequited crush on fellow teacher Philip Boynton (played originally by future film star Jeff Chandler, and later on radio, then on television, by Robert Rockwell). Except for Chandler, the entire radio cast of Arden, Gordon, Richard Crenna (Walter Denton), Robert Rockwell (Mr. Philip Boynton), Gloria McMillan (Harriet Conklin), and Jane Morgan (landlady Margaret Davis) played the same roles on television. Arden's portrayal of the character was so popular that she was made an honorary member of the National Education Association, received a 1952 award from the Teachers College of Connecticut's Alumni Association "for humanizing the American teacher", and even received teaching job offers. Her wisecracking, deadpan attitude as the character ultimately became her public persona as a comedienne as well.