Doris Day, Movie Star Who Charmed America, Dies at 97
May 13, 2019
Doris Day, the freckle-faced movie actress whose irrepressible personality and golden voice made her America’s top box-office star in the early 1960s, died on Monday at her home in Carmel Valley, Calif. She was 97.
The Doris Day Animal Foundation announced her death.
Ms. Day began her career as a big-band vocalist, and she was successful almost from the start: One of her first records, “Sentimental Journey,” released in 1945, sold more than a million copies, and she went on to have numerous other hits. The bandleader Les Brown, with whom she sang for several years, once said, “As a singer Doris belongs in the company of Bing Crosby and Frank Sinatra.”
But it was the movies that made her a star.
Between “Romance on the High Seas” in 1948 and “With Six You Get Eggroll” in 1968, she starred in nearly 40 movies. On the screen she turned from the perky girl next door in the 1950s to the woman next door in a series of 1960s sex comedies that brought her four first-place rankings in the yearly popularity poll of theater owners, an accomplishment equaled by no other actress except Shirley Temple.
In the 1950s she starred, and most often sang, in comedies (“Teacher’s Pet,” “The Tunnel of Love”), musicals (“Calamity Jane,” “April in Paris,” “The Pajama Game”) and melodramas (“Young Man With a Horn,” the Alfred Hitchcock thriller “The Man Who Knew Too Much,” “Love Me or Leave Me”).
James Cagney, her co-star in “Love Me or Leave Me,” said Ms. Day had “the ability to project the simple, direct statement of a simple, direct idea without cluttering it.” He compared her performance to Laurette Taylor’s in “The Glass Menagerie” on Broadway in 1945, widely hailed as one of the greatest performances ever given by an American actor.
She went on to appear in “Pillow Talk” (1959), “Lover Come Back” (1961) and “That Touch of Mink” (1962), fast-paced comedies in which she fended off the advances of Rock Hudson (in the first two films) and Cary Grant (in the third). Those movies, often derided today as examples of the repressed sexuality of the ’50s, were considered daring at the time.
“I suppose she was so clean-cut, with perfect uncapped teeth, freckles and turned-up nose, that people just thought she fitted the concept of a virgin,” Mr. Hudson once said of Ms. Day. “But when we began ‘Pillow Talk’ we thought we’d ruin our careers because the script was pretty daring stuff.” The movie’s plot, he said, “involved nothing more than me trying to seduce Doris for eight reels.”
Following “Pillow Talk,” which won Ms. Day her sole Academy Award nomination, she was called on to defend her virtue for the rest of her career in similar but lesser movies, while Hollywood turned to more honest and graphic screen sex to keep up with the revolution sweeping the world after the introduction of the birth control pill.
Doris Day in 1965. Between 1948 and 1968, she starred in nearly 40 movies.
Ms. Day in fact was one of the few actresses of the 1950s and ’60s to play women who had a real profession, and her characters were often more passionate about their career than about their co-stars.
“My public image is unshakably that of America’s wholesome virgin, the girl next door, carefree and brimming with happiness,” she said in “Doris Day: Her Own Story,” a 1976 book by A. E. Hotchner based on a series of interviews he conducted with Ms. Day. “An image, I can assure you, more make-believe than any film part I ever played. But I am Miss Chastity Belt, and that’s all there is to it.”
An Aspiring Dancer
Doris Day was born Doris Mary Anne Kappelhoff in Cincinnati on April 3, 1922. (For years most sources gave her birth year as 1924, and so did she. But shortly before her birthday in 2017, The Associated Press obtained a copy of her birth certificate from the Ohio Office of Vital Statistics and established that she had been born two years earlier. After Ms. Day was shown the evidence, she said in a statement, “I’ve always said that age is just a number and I have never paid much attention to birthdays, but it’s great to finally know how old I really am.”) She was the second child of Frederick William von Kappelhoff, a choral master and piano teacher who later managed restaurants and taverns in Cincinnati, and Alma Sophia (Welz) Kappelhoff. Her parents separated when she was a child.
Ms. Day told Mr. Hotchner that another important thing happened during her year of recuperation: She was given a small dog. “It was the start of what was, for me, a lifelong love affair with the dog,” she said.
That first dog, Tiny, was killed by a car when Ms. Day, still on crutches, took him for a walk without a leash. Nearly 40 years later she spoke of how she had betrayed him. During the last decades of her life, through her foundation, Ms. Day spent much of her time rescuing and finding homes for stray dogs, even personally checking out the backyards and fencing of people who wanted to adopt, and she worked to end the use of animals in cosmetic and household-products research.
Singing was just something to do until she married. ”From the time I was a little girl,” she told Mr. Hotchner, “my only true ambition in life was to get married and tend house and have a family.”
ADVERTISEMENT
BY
Looking for more information?