Barbara Harris and Jason Robards

Jason Robards of New York, New York County, NY was born in 1922 in Chicago, Cook County, Illinois United States, and died at age 78 years old on December 26, 2000 in Bridgeport, Fairfield County, CT.

I met her when she was in THE APPLE TREE. We waited for her inside the stage door. The WE was Barbra Streisand and me. Barbra was not communicative. This was the third time I experienced Barbra. But Barbara Harris was warm and sweet and friendly. Barbara Harris (actress) Born Barbara Densmoor Harris July 25, 1935 Evanston, Illinois, U.S. Died August 21, 2018 (aged 83) Scottsdale, Arizona, U.S. Occupation Actress Years active 1959–1997 Spouse(s) Paul Sills (m. 1955; div. 1958) Harris performed numbers from the show with John Cullum on The Bell Telephone Hour ("The Lyrics of Alan Jay Lerner", broadcast on February 27, 1966).[citation needed] She had previously appeared on Broadway with Anne Bancroft in a 1963 production of Bertolt Brecht's Mother Courage, staged by Jerome Robbins, at the Martin Beck Theater; the production received five Tony Award nominations. Harris gave another well-received performance in The Apple Tree, another Broadway musical created for her, this time by the team of composer Jerry Bock and lyricist Sheldon Harnick. The show, in which Harris co-starred with Alan Alda and Larry Blyden and was directed by Mike Nichols, opened at the Shubert Theater on October 5, 1966 and closed on November 25, 1967. The show was based on three tales by Mark Twain, Frank R. Stockton, and Jules Feiffer and Harris starred in all three. She played Eve in Twain's The Diary of Adam and Eve, a melodramatically campy temptress in The Lady and the Tiger, and two roles in Jules Feiffer's Passionella. She was the forlorn, soot-stained nasal-congested chimney-sweep who wants only to be "a beautiful glamorous movie star, for its own sake", and, by virtue of an instantaneous costume-change, the huge-bosomed, gold-gowned, blonde bombshell of a movie star she always dreamed she'd be. Richard Watts Jr. of the New York Post wrote "[t]here are many high triumphs of the imagination in the vastly original musical comedy ... [b]ut it is Miss Harris who provides it with the extra touch of magic." Walter Kerr called her "the square root of noisy sex" and "sweetness carried well into infinity". Harris captured the 1967 Tony for Best Actress in a Musical as well as Cue Magazine's "Entertainer of the Year" award. Of her friend and colleague Mike Nichols, she said in 2002, "Mike Nichols was a toughie. He could be very kind, but if you weren't first-rate, watch out. He'd let you know." Harris stopped appearing on stage after The Apple Tree, except for the off-Broadway first American production of Brecht and Weill's Mahagonny in 1970, in which she played the role of Jenny, originally created by Lotte Lenya. In the 2002 interview, Harris said, "Who wants to be up on the stage all the time? It isn't easy. You have to be awfully invested in the fame aspect, and I really never was. What I cared about was the discipline of acting, whether I did well or not." From 1961 through 1964, she appeared as a guest star on such popular television series as Alfred Hitchcock Presents, Naked City, Channing and The Defenders. In 1965, she made an auspicious feature film debut as social worker Sandra Markowitz in the screen version of A Thousand Clowns. She co-starred opposite Jason Robards Jr., who played the freewheeling, eternally optimistic guardian of his teenage nephew, the custody of whom is threatened by authorities' dim view of his bohemian lifestyle. The New York Times critic wrote on December 9, 1965 that the movie "has the new and sensational Barbara Harris playing the appropriately light-headed girl". Harris and Robards won Golden Globe nominations. In Neil Simon's Plaza Suite with Walter Matthau, the British entertainment magazine Time Out called the "delightful" Harris' gifts "wasted". She had only slightly better opportunities in The War Between Men and Women with Jack Lemmon, and the screen version of Arthur Kopit's darkly comic Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad with Rosalind Russell as the monstrous mother of Robert Morse who takes the stuffed corpse of her dead husband along on trips. Reviewing the latter film for The New York Times on February 16, 1967, critic Bosley Crowther wrote, "Barbara Harris from the original play cast is as wacky as she was on the stage — casual and direct and totally blasé about the boisterous business of sex. Her tussle to accomplish her purpose, with the corpse falling out into the room every time she is about to score a field goal, is still the funniest scene." She earned an Oscar nomination for the 1971 film (which co-starred Dustin Hoffman) Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me?, about a rich, successful, womanizing pop songwriter suffering a debilitating but oddly liberating mental crisis. The script was by Herb Gardner, who also wrote A Thousand Clowns. In 1975, Harris appeared in one of her signature film roles in Robert Altman's masterpiece Nashville, playing Albuquerque, a ditzy, scantily clad country singing hopeful who may be far more opportunistic and calculating than she would first appear. Accounts of the film's chaotic and inspired production, particularly in Jan Stuart's book The Nashville Chronicles: The Making of Robert Altman's Masterpiece, indicate a clash between actress and director. Harris earned a Golden Globe nomination (one of 11 for the film); as Oscar-nominated co-star Lily Tomlin put it, "I was the hugest of Barbara Harris fans; I thought she was so stunning and original." Although the two were set to reunite with Altman in a sequel, that film was never made. The following year, Alfred Hitchcock cast her in Family Plot as a bogus spiritualist who searches for a missing heir and a family fortune with her cab driver boyfriend. Among a cast that included Bruce Dern, William Devane, and Karen Black, Hitchcock was particularly delighted by Harris' quirkiness, skill and intelligence. She received praise from critics as well as a Golden Globe nomination for the film, which was based on the novel The Rainbird Pattern by Victor Canning, and which marked a reunion of Hitchcock with Ernest Lehman, who had created the original screenplay for North by Northwest. In her 2002 Phoenix New Times interview, she admitted that she "turned down Alfred Hitchcock when he first asked me to be in one of his movies". After agreeing to star in Family Plot, she recalled that "Hitchcock was a wonderful man." The film was Hitchcock's last and inasmuch as Harris appears by herself in its final shot (in which she winks at the audience), she has the distinction of being the actor who, so to speak, ended Alfred Hitchcock's long and illustrious career. Harris continued to appear in films of the 1970s-80s, including Freaky Friday with a young Jodie Foster, Movie Movie for director Stanley Donen, and The North Avenue Irregulars with Edward Herrmann and Cloris Leachman. She co-starred in The Seduction of Joe Tynan with one of her former Broadway leading men, Alan Alda (who also wrote the screenplay), a tale of a liberal Washington Senator caught in an affair with a younger woman, played by Meryl Streep. In 1981, she starred in Second-Hand Hearts for esteemed director Hal Ashby as "Dinette Dusty", a recently widowed waitress and would-be singer who marries a boozy carwash worker named "Loyal", played by Robert Blake to get back her children from their paternal grandparents. The film, based on a highly sought-after "road movie" screenplay by Charles Eastman, was a disaster that tarnished the careers of all concerned. Critic Vincent Canby in his negative New York Times review on May 8, 1981 opined, "[t]he film's one bright spot is Barbara Harris, who plays Dinette as sincerely as possible under awful conditions. She looks great even when she's supposed to be tacky, and is genuinely funny as she tries to make sense out of Loyal's muddled philosophizing, which, of course, the screenplay requires her to match." Harris was offscreen until 1986 when she played the mother of Kathleen Turner in Peggy Sue Got Married. Her last films were Dirty Rotten Scoundrels and Grosse Pointe Blank. Harris retired from acting and began teaching. When asked in 2002 if she would resume her acting career, she said, "Well, if someone handed me something fantastic for $10 million, I'd work again. But I haven't worked in a long time as an actor. I don't miss it. I think the only thing that drew me to acting in the first place was the group of people I was working with: Ed Asner, Paul Sills, Mike Nichols, Elaine May. And all I really wanted to do back then was rehearsal. I was in it for the process, and I really resented having to go out and do a performance for an audience, because the process stopped; it had to freeze and be the same every night. It wasn't as interesting." In 2005, she briefly resurfaced, guest starring as The Queen and as Spunky Brandburn on Anne Manx on Amazonia, an audio drama by the Radio Repertory Company of America, which aired on XM Harris died of lung cancer in Scottsdale, Arizona on August 21, 2018, aged 83.