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Ruth Prawer Jhabvala

Updated Mar 25, 2024
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Ruth Prawer Jhabvala
Cyrus was one of seven children, born in Bombay to Zoroastrian parents. He went to England in 1946, where he met his wife, Ruth Prawer, and became a fellow of the Royal Institute of British Architects. They have three daughters and six grandchildren. They were married for sixty-two years till Ruth passed away in 2013. His architectural practice was very successful in Delhi, India, where he was known for his elegant designs. He was a popular teacher at the Delhi School of Architecture, where he revolutionised the concepts of teaching. He was a fine artist and his pencil drawings of monuments and scenes in Delhi can be seen in his three publications. Later, he moved to New York to be with Ruth and there developed his skills as a painter, capturing scenes from Manhattan. He was fondly known for his wit and humour, not to mention his great generosity, and will be hugely missed by family and friends.
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Ruth Prawer Jhabvala
Ruth Prawer Jhabvala, CBE Born Ruth Prawer 7 May 1927 Cologne, Germany Died 3 April 2013 (aged 85) New York City, New York, U.S. Period 1955–2013 Notable awards 1975, Man Booker Prize for Heat and Dust 1984, BAFTA for Heat and Dust 1984, MacArthur Fellowship 1987, Academy Award for A Room with a View 1993, Academy Award for Howards End Spouse Cyrus Jhabvala (m. 1951) Ruth Prawer Jhabvala, CBE (7 May 1927 – 3 April 2013) was a German-born British and American Booker prize-winning novelist, short story writer and two-time Academy Award-winning screenwriter. She is perhaps best known for her long collaboration with Merchant Ivory Productions, made up of director James Ivory and producer Ismail Merchant. After meeting Cyrus Jhabvala in England, she married him and moved to India in 1951; Jhabvala was an Indian-Parsi architect. The couple lived in New Delhi and had three daughters. Jhabvala began then to elaborate her experiences in India and wrote novels and tales on Indian subjects. She wrote a dozen novels, 23 screenplays, and eight collections of short stories and was made a CBE in 1998 and granted a joint fellowship by BAFTA in 2002 with Ivory and Merchant. She is the only person to have won both a Booker Prize and an Oscar. Early life Ruth Prawer was born in Cologne, Germany to Jewish parents Marcus and Eleanora (Cohn) Prawer. Marcus was a lawyer who moved to Germany from Poland to escape conscription and Eleanora's father was cantor of Cologne's largest synagogue. Her father was accused of communist links, arrested and released, and she witnessed the violence unleashed against the Jews during the Kristallnacht. The family was among the last group of refugees to flee the Nazi regime in 1939, emigrating to Britain. Her elder brother, Siegbert Salomon Prawer (1925–2012), an expert on Heinrich Heine and horror films, was fellow of The Queen's College and Taylor Professor of German Language and Literature at the University of Oxford. During World War II, Prawer lived in Hendon in London, experienced the Blitz and began to speak English rather than German. Charles Dickens' works and Margaret Mitchell's Gone With the Wind kept her company through the war years and the latter book she read while taking refuge in air raid shelters during the Luftwaffe's bombing of London. She became a British citizen in 1948. The following year, her father died by suicide after discovering that 40 members of his family had died during the Holocaust.[6] Prawer attended Hendon County School (now Hendon School) and then Queen Mary College, where she received an MA in English literature in 1951. In 1975, she won the Booker Prize for her novel Heat and Dust which was later adapted into a movie. That year, she moved to New York where she wrote The Place of Peace. Jhabvala "remained ill at ease with India and all that it brought into her life." She wrote in an autobiographical essay, Myself in India (published in the London Magazine) that she found the "great animal of poverty and backwardness" made the idea and sensation of India intolerable to her, a "Central European with an English education and a deplorable tendency to constant self-analysis." Her early works in India dwell on the themes of romantic love and arranged marriages and are portraits of the social mores, idealism and chaos of the early decades of independent India. Writing of her in the New York Times, novelist Pankaj Mishra observed that "she was probably the first writer in English to see that India's Westernizing middle class, so preoccupied with marriage, lent itself well to Jane Austenish comedies of manners." Life in the United States Jhabvala moved to New York in 1975 and lived there until her death in 2013, becoming a naturalised citizen of the United States in 1986. She continued to write and many of her works including In Search of Love and Beauty (1983), Three Continents (1987), Shards of Memory (1995) and East Into Upper East: Plain Tales From New York and New Delhi (1998) portray the lives and predicaments of immigrants from post-Nazi and post-World War Europe. Many of these works feature India as a setting where her characters go in search of spiritual enlightenment only to emerge defrauded and exposed to the materialistic pursuits of the East. The New York Times Review of Books chose her Out of India (1986) as one of the best reads for that year. In 1984, she was awarded a MacArthur Fellowship. In 2005 she published My Nine Lives: Chapters of a Possible Past with illustrations by her husband and the book was described as "her most autobiographical fiction to date". Her literary works were well received with C. P. Snow, Rumer Godden and V. S. Pritchett describing her work as "the highest art", "a balance between subtlety, humour and beauty" and as being Chekhovian in its detached sense of comic self-delusion. Salman Rushdie described her as a "rootless intellectual" when he anthologised her in the Vintage Book of Indian Writing while John Updike described her an "initiated outsider". Jhabvala was initially assumed to be an Indian among the reading public because of her perceptive portrayals of the nuances of Indian lifestyles. Later, the revelation of her true identity led to falling sales of her books in India and made her a target of accusations about "her old-fashioned colonial attitudes". Jhabvala's last published story was "The Judge's Will", which appeared in The New Yorker on 25 March 2013.
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