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A photo of James Dunn

James Dunn 1901 - 1967

James Howard Dunn of Santa Monica, California United States was born on November 2, 1901 in New York, NY, and died at age 65 years old on September 1, 1967 in Santa Monica, CA. James Dunn was buried Cremated, Ashes scattered at sea..
James Howard Dunn
Santa Monica, California United States
November 2, 1901
New York, New York, United States
September 1, 1967
Santa Monica, California, United States
Male
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James Howard Dunn's History: 1901 - 1967

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  • Introduction

    Academy Award Winning Character Actor. Famous for "A TREE GROWS IN BROOKLYN"
  • 11/2
    1901

    Birthday

    November 2, 1901
    Birthdate
    New York, New York United States
    Birthplace
  • Professional Career

    James Dunn Born November 2, 1901 in New York City, New York, USA Died September 1, 1967 in Santa Monica, California, USA (following abdominal surgery) Birth Name James Howard Dunn Nickname Jimmy Height 6' (1.83 m) Mini Bio (2) James Dunn worked on the stage, in vaudeville, and as an extra in silent movies before he was signed by Fox in 1931. His first movie with Fox was 1931's Sob Sister (1931). While at Fox, he appeared with Shirley Temple in her first three features: Baby, Take a Bow (1934), Stand Up and Cheer! (1934) and Bright Eyes (1934). Dunn's screen character was usually the boy next door or the nice guy. In 1935 musicals at the new 20th Century-Fox were out and Dunn would move to the "B" list, from which he would never return. In The Payoff (1935) he plays the nice guy newspaper columnist whose wife ruins his career. By the late 1930s, he was drinking heavily and became unemployable. He would appear in small roles in films during the early 1940s, but those parts were few and far between. In 1945 he was able to make a comeback and won the Oscar for Best Supporting Actor in A Tree Grows in Brooklyn (1945), but his rejuvenated career would not continue. By 1951 he would again be unemployed and bankrupt. Television would later supply some work and he would be a regular on the series It's a Great Life (1954). Versatile actor of stage, screen, and television, James Howard Dunn was the only child of a prominent New York stockbroker and homemaker. He grew up and attended public schools in New Rochelle, New York. Dunn's interest in pursuing a career in acting became apparent when he started playing hooky from high school, preferring to work as an extra in various studios scattered throughout the city. His father, Ralph, had different ideas for him and took him into his brokerage firm as a security salesman. However, Dunn continued to moonlight as an extra or in small parts whenever he had the opportunity. In 1927, he had a bit part in the Broadway play "Nightstick", so he could always claim his career started on Broadway. For three years he honed his acting skills in stock companies in Englewood, New Jersey, and Winnipeg, Manitoba. He had gotten down to one suit and hadn't eaten in three days when he was given the opportunity to make a screen test. As a result, he was awarded a long-term contract with Fox studio. His big break came when director Frank Borzage chose him to play the young newlywed in "Bad Girl". He received outstanding reviews from the critics and became a star, virtually overnight. In 1934, he helped introduce film audiences to Shirley Temple as he sang and tap-danced with her in her first major picture, "Stand Up and Cheer". That same year he also appeared with her in "Baby, Take a Bow" and "Bright Eyes". Between 1931 and 1935, Dunn made over 20 pictures for Fox and a few more on loan out. In 1935, Fox merged with Twentieth Century and bought out Dunn's contract. His career soon began to wane as he was forced to work freelance. At the same time, Dunn was becoming increasingly dependent on alcohol, earning him a reputation as an erratic, irresponsible performer, further diminishing his employment prospects. His decline from top box office draw to B movie actor was almost as startling as his meteoric rise to fame had been. Nevertheless, he usually managed to keep working, whether it be on stage, in radio, or in low-budget "poverty row films." In 1945 Dunn was given a second chance at movie stardom when young director, Elia Kazan chose him for the role of "Johnny Nolan" in "A Tree Grows in Brooklyn". His sensitive portrayal of the gentle, alcoholic father earned him the Academy Award for Best Supporting Actor. The award, however, failed to reignite his movie career and he made few substantial films after that. One notable exception was 1947's "Killer McCoy", starring Mickey Rooney, in which he again played the role of a ne'er-do-well, but a sympathetic alcoholic father. With the advent of television, new opportunities opened up for Dunn, as he appeared in scores of productions during the '50s and '60s. He acted in most of the classic anthology series such as "G.E. Theater and "Playhouse 90", and guest-starred in many of the most popular series of the era, including "Route 66", "The Fugitive" and "Ben Casey". Between 1954 and 1956, he starred in the sitcom, "It's a Great Life", as the irascible Uncle Earl. The show also featured Frances Bavier, as his long-suffering sister, Amy Morgan. Dunn continued to work in television, almost up to the time of his death in 1967. He is one of the relatively few actors to have two stars on the Hollywood Walk of Fame, one for motion pictures and one for television.
  • Personal Life & Family

    Family (1) Spouse Edna Rush (7 March 1945 - 1 September 1967) (his death) Frances Gifford (25 December 1937 - 16 January 1942) (divorced) Edna O'Lier (? - ?) (first wife) (divorced)
  • 09/1
    1967

    Death

    September 1, 1967
    Death date
    Complications after abdominal surgery.
    Cause of death
    Santa Monica, California United States
    Death location
  • Gravesite & Burial

    mm/dd/yyyy
    Funeral date
    Cremated, Ashes scattered at sea.
    Burial location
  • Obituary

    James Dunn was one of the many wide-eyed and eager who came to Hollywood in the 1930s. Jimmy was a broad-smiling song-and-dance man who quickly became one of the major players in early Fox musicals. When the backstage musical cycle had run its course, replaced by the flashier, glossy Technicolor variety, Jimmy found himself only able to find work in low-budget potboilers and hokey comedies on Hollywood’s Poverty Row. The blow to his self-esteem, coupled with his battle with alcoholism, made him all but unemployable. With Shirley Temple in 1934. However, Hollywood is not only the land of broken dreams, it is also the home of second chances. In 1945 a young director named Elia Kazan took a chance on Jimmy, offering him the pivotal role of Johnny Nolan in the film adaptation of Betty Smith’s A Tree Grows in Brooklyn. The film was a hit, and Jimmy took home an Academy Award for his sympathetic, multi-faceted performance. He was no longer Jimmy Dunn, a wisecracking song-and-dance man, he was James Dunn, a serious and successful actor. The story of James Dunn is often one of heartbreak – of the Hollywood dream gone sour. But, it is also a story of hope – a hope that survived career disappointments, disastrous marriages, and a constant struggle against the demons within. James Dunn’s massive body of work in film and television remains as a testament to his talent and perseverance. His star shone briefly but brightly. In the hearts of those who knew him, as well as a new generation of film lovers who never shared this Earth with him, he was a man of depth, warmth, and possessed of astonishing talent. As one of the first of the group of performers to be immortalized on Hollywood’s iconic Walk of Fame, James Dunn’s warm smile lives on, like a flickering image in our collective film consciousness. MANHATTAN TO HOLLYWOOD James Dunn, Jimmy to all who knew him, was born near 146th Street and Broadway in New York City on November 2, 1901. His father Ralph was a stockbroker and his mother, the former Jessie Archer, was a homemaker. The family soon settled in suburban New Rochelle, where Jimmy would complete his education. As a young man, the restless Jimmy briefly worked for his father’s brokerage firm, but such a stuffy position didn’t suit his exuberant personality! Since a traditional career obviously wasn’t Jimmy’s forte, he soon gravitated to the stage. Vaudeville was a perfect outlet for the Irish kid with the sparkling blue eyes, mischievous smile, and boundless energy, and it wasn’t long before he made his Broadway debut in The Nightstick. Walk-ons in films followed, and Jimmy soon began building a reputation as a terrific performer…and a bit of a rapscallion! After finishing a day on location, as an extra for a New York studio, he was merrily driving home one night when he was stopped for going 70 mph. He spent a couple of nights in an unlocked jail cell courtesy of the Greenwich (Connecticut) police and proceeded to drive his captors crazy by singing all night long. When ordered to stop he responded merrily: “I’ll stop singing when the judge says I can go!” Isn’t wasn’t long before Hollywood came calling. Jimmy and his mother Jessie soon headed West for Hollywood – and a contract with Fox Studios. Notoriety came swiftly for the new song-and-dance man in town! BAD BOY Jimmy made a huge splash in the classic (and controversial) Bad Girl, alongside rising star Sally Eilers. With one divorce behind him already, he shrugged off speculation about the many starlets seen in his company and enjoyed the good life with aplomb. Jimmy soon became the star of a string of early Fox musicals. These included the fondly-remembered 365 Nights in Hollywood and George White’s 1935 Scandals, both alongside Alice Faye. Although initially reluctant, he soon was teamed with young Shirley Temple in Stand Up and Cheer; Baby, Take a Bow, and Bright Eyes. The films were enormous successes, and Jimmy was immediately taken by his toddler co-star. Jimmy was also known around Tinseltown for his love of the fairer sex. He was rarely seen about the town without a beautiful actress on his arm, including co-star June Knight and Maureen O’Sullivan. One actress, Lona André actually got Jimmy to the altar but fortunately, she failed to appear, fearing a marriage would hurt her career. Despite this romantic setback, Jimmy’s career currency was on the rise. He was appearing in film after film with some of the day’s biggest names. A fan of all things fast and furious, Jimmy soon took to the skies as a pilot. While his studio contract forbade him from flying, Jimmy surreptitiously flew whenever the opportunity arose. In 1937, he flew federal authorities and their prisoner to New Orleans and made it back before the studio brass were any the wiser. The year before he had been a contestant in the Ruth Chatterton Air Derby. His film career was beginning to soar, and his future looked secure. According to a 1940 newspaper article, if there were more Hollywood moms like Jessie Dunn, there would be no need for the motion picture relief fund. Jessie invested almost all of Jimmy’s money in real estate, stocks, and bonds, giving her son a regular allowance. “I remember the arguments trying to wheedle $50.00 from her”, Jimmy said. Jessie turned over most of his money to him when he married Frances, but kept a trust fund for him that he wouldn’t be able to access until he was 50! Then he would receive $900.00 per month for the rest of his life, something for which Jimmy would always be grateful.
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10 Memories, Stories & Photos about James

James Dunn and Peggy Ann Garner
James Dunn and Peggy Ann Garner
A TREE GROWS IN BROOKLYN
Date & Place: Not specified or unknown.
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James Dunn.
James Dunn.
A very talented actor.
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James Howard Dunn.
James Howard Dunn.
A very long second marriage.
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James Dunn. Handsome actor.
James Dunn. Handsome actor.
Such a unique pose.
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James Dunn and Shirley Temple.
James Dunn and Shirley Temple.
They look so serious.
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James Dunn and Peggy Ann Garner with their Oscars for A Tree Grows in Brooklyn.
James Dunn and Peggy Ann Garner with their Oscars for A Tree Grows in Brooklyn.
He gave a phenomenal performance.
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James Dunn's Family Tree & Friends

James Dunn's Family Tree

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James' Friends

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