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Marie Dressler 1868 - 1934

Marie Dressler of Santa Barbara, Santa Barbara County, California United States was born on November 9, 1868 in Cobourg, Ontario Canada, and died at age 65 years old on July 28, 1934 at California.

Marie Dressler

Santa Barbara, Santa Barbara County, California United States

November 9, 1868

Cobourg, Ontario, Canada

July 28, 1934

California

Female

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Marie Dressler Marie Dressler (1868 - 1934)

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Marie Dressler's History: 1868 - 1934

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11/9

1868

Birthday

November 9, 1868

Birthdate

Cobourg, Ontario Canada

Birthplace

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Early Life & Education

Early life Dressler was born Leila Marie Koerber on November 9, 1868, in Cobourg, Ontario. She was one of the two daughters of Anna (née Henderson), a musician, and Alexander Rudolph Koerber (1826–1914), a German-born former officer in the Crimean War. Leila's elder sister, Bonita Louise Koerber (1864–1939), later married playwright Richard Ganthony. Her father was a music teacher in Cobourg and the organist at St. Peter's Anglican Church, where as a child Marie would sing and assist in operating the organ. According to Dressler, the family regularly moved from community to community during her childhood. The Koerber family eventually moved to the United States, where Alexander Koerber is known to have worked as a piano teacher in the late 1870s and early 1880s in Bay City and Saginaw (both in Michigan) as well as Findlay, Ohio. Residents of the towns where the Koerber family lived recalled Dressler acting in many amateur productions, and Leila often irritated her parents with those performances. Marie Dressler not only sent her family money during her years of success, she even bought them a house on Long Island.
Professional Career

Marie Dressler Born Leila Marie Koerber. November 9, 1868 Cobourg, Ontario, Canada Died July 28, 1934 (aged 65) Santa Barbara, California, U.S. Resting place Forest Lawn Memorial Park, Glendale Citizenship Canada and the United States Occupations Actress and comedian Years active 1886–1934 Spouses George Hoeppert (m. 1894; div. 1906) James Henry Dalton (m. 1907; died 1921) Marie Dressler (born Leila Marie Koerber, November 9, 1868 – July 28, 1934) was a Canadian stage and screen actress, comedian, and early silent film and Depression-era film star. After leaving home at the age of 14, Dressler built a career on stage in traveling theatre troupes, where she learned to appreciate her talent in making people laugh. In 1892, she started a career on Broadway that lasted into the 1920s, performing comedic roles that allowed her to improvise to get laughs. She soon transitioned into screen acting and made several shorts, but mostly worked in New York City on stage. During World War I, along with other celebrities, she helped sell Liberty bonds. In 1914, she played the titular role in the first full-length screen comedy, Tillie's Punctured Romance (1914), opposite Charlie Chaplin and Mabel Normand. In 1919, she helped organize the first union for stage chorus players. Her career declined in the 1920s, and Dressler was reduced to living on her savings while sharing an apartment with a friend. In 1927, she returned to films at the age of 59 and experienced a remarkable string of successes. For her performance in the comedy film Min and Bill (1930), Dressler won the Academy Award for Best Actress. Early life Dressler was born Leila Marie Koerber on November 9, 1868, in Cobourg, Ontario. She was one of the two daughters of Anna (née Henderson), a musician, and Alexander Rudolph Koerber (1826–1914), a German-born former officer in the Crimean War. Leila's elder sister, Bonita Louise Koerber (1864–1939), later married playwright Richard Ganthony. Her father was a music teacher in Cobourg and the organist at St. Peter's Anglican Church, where as a child Marie would sing and assist in operating the organ. According to Dressler, the family regularly moved from community to community during her childhood. The Koerber family eventually moved to the United States, where Alexander Koerber is known to have worked as a piano teacher in the late 1870s and early 1880s in Bay City and Saginaw (both in Michigan) as well as Findlay, Ohio. Residents of the towns where the Koerber family lived recalled Dressler acting in many amateur productions, and Leila often irritated her parents with those performances. Stage career Dressler left home at the age of 14 to begin her acting career with the Nevada Stock Company, telling the company she was actually 18. The pay was either $6 or $8 per week, and Dressler sent half to her mother. At this time, Dressler adopted the name of an aunt as her stage name. According to Dressler, her father objected to her using the name of Koerber. Dressler's sister Bonita, five years older, left home at about the same time. Bonita also worked in the opera company. The Nevada Stock Company was a traveling company that played mostly in the American Midwest. Dressler described the troupe as a "wonderful school in many ways. Often a bill was changed on an hour's notice or less. Every member of the cast had to be a quick study". Dressler made her professional debut as a chorus girl named Cigarette in the play Under Two Flags, a dramatization of life in the Foreign Legion. She remained with the troupe for three years, while her sister left to marry playwright Richard Ganthony. The company eventually ended up in a small Michigan town without money or a booking. Dressler joined the Robert Grau Opera Company, which toured the Midwest, and she received an improvement in pay to $8 per week, although she claimed she never received any wages. Dressler ended up in Philadelphia, where she joined the Starr Opera Company as a member of the chorus. A highlight with the Starr company was portraying Katisha in The Mikado when the regular actress was unable to go on, due to a sprained ankle, according to Dressler. She was also known to have played the role of Princess Flametta in an 1887 production in Ann Arbor, Michigan. She left the Starr company to return home to her parents in Saginaw. According to her, when the Bennett and Moulton Opera Company came to town, she was chosen from the church choir by the company's manager and asked to join the company. Dressler remained with the company for three years, again on the road, playing roles of light opera. She later particularly recalled the role of Barbara in The Black Hussars, which she liked, in which she would hit a baseball into the stands. Dressler remained with the company until 1891, gradually increasing in popularity. She moved to Chicago and was cast in productions of Little Robinson Crusoe and The Tar and The Tartar. Then she moved to New York City. In 1892, Dressler made her debut on Broadway at the Fifth Avenue Theatre in Waldemar, the Robber of the Rhine, which only lasted five weeks. She had hoped to become an operatic diva or tragedienne, but the writer of Waldemar, Maurice Barrymore, convinced her to accept that her best success was in comedy roles. Years later, she appeared in motion pictures with his sons, Lionel and John, and became good friends with his daughter, actress Ethel Barrymore. In 1893, she was cast as the Duchess in Princess Nicotine, where she met and befriended Lillian Russell. Dressler now made $50 per week, with which she supported her parents. She moved on into roles in 1492 Up to Date, Girofle-Girofla, and A Stag Party, or A Hero in Spite of Himself. After A Stag Party flopped, she joined the touring Camille D'Arville Company on a tour of the Midwest in Madeleine, or The Magic Kiss, as Mary Doodle, a role giving her a chance to clown. Music for The Lady Slavey (1896) Dressler had her first starring role as household servant Flo Honeydew, a role she performed for four years. In 1896, Dressler landed her first starring role as Flo in George Lederer's production of The Lady Slavey at the Casino Theatre on Broadway, co-starring British dancer Dan Daly. It was a great success, playing for two years at the Casino. Dressler became known for her hilarious facial expressions, seriocomic reactions, and double takes. With her large, strong body, she could improvise routines in which she would carry Daly, to the delight of the audience. Dressler's success enabled her to purchase a home for her parents on Long Island. The Lady Slavey success turned sour when she quit the production while it toured in Colorado. The Erlanger syndicate blocked her from appearing on Broadway, and she chose to work with the Rich and Harris touring company. Dressler returned to Broadway in Hotel Topsy Turvy and The Man in the Moon. She formed her own theatre troupe in 1900, which performed George V. Hobart's Miss Prinnt in cities of the northeastern U.S. The production was a failure, and Dressler was forced to declare bankruptcy. In addition to her stage work, Dressler recorded for Edison Records in 1909 and 1910. In the fall of 1909, she entered rehearsals for a new play, Tillie's Nightmare. The play toured in Albany, Chicago, Kansas City, and Philadelphia, and was a flop. Dressler helped to revise the show, without the authors' permission, and in order to keep the changes she had to threaten to quit before the play opened on Broadway. Her revisions helped make it a big success there. Biographer Betty Lee considers the play the high point of her stage career. Dressler continued to work in the theater during the 1910s, and toured the United States during World War I, selling Liberty bonds and entertaining the American Expeditionary Forces. American infantrymen in France named both a street and a cow after Dressler. The cow was killed, leading to "Marie Dressler: Killed in Line of Duty" headlines, about which Dressler (paraphrasing Mark Twain) quipped, "I had a hard time convincing people that the report of my death had been greatly exaggerated." With Mabel Normand and Charles Chaplin in Tillie's Punctured Romance After the war, Dressler returned to vaudeville in New York and toured in Cleveland and Buffalo. She owned the rights to the play Tillie's Nightmare, the play upon which her 1914 movie Tillie's Punctured Romance was based. Her husband Jim Dalton and she made plans to self-finance a revival of the play. The play fizzled in the summer of 1920, and the production was disbanded. In 1919, during the Actors' Equity strike in New York City, the Chorus Equity Association was formed and voted Dressler its first president. She returned to the vaudeville stage with the Schubert Organization, traveling through the Midwest. Dalton traveled with her, although he was very ill from kidney failure. He stayed in Chicago while she traveled on to St. Louis and Milwaukee. He died while Marie was in St. Louis, and Marie then left the tour. His body was claimed by his ex-wife, and he was buried in the Dalton plot. After failing to sell a film script, Dressler took an extended trip to Europe in the fall of 1922. On her return she found it difficult to find work, considering America to be "youth-mad" and "flapper-crazy". She busied herself with visits to veteran hospitals. To save money she moved into the Ritz Hotel, arranging for a small room at a discount. In 1923, Dressler received a small part in a revue at the Winter Garden Theatre, titled The Dancing Girl, but was not offered any work after the show closed. In 1925, she was able to perform as part of the cast of a vaudeville show which went on a five-week tour, but still could not find any work back in New York City. The following year, she made a final appearance on Broadway as part of an Old Timers' bill at the Palace Theatre. Early in 1930, Dressler joined Edward Everett Horton's theater troupe in Los Angeles to play a princess in Ferenc Molnár's The Swan, but after one week, she quit the troupe. Later that year she played the princess-mother of Lillian Gish's character in the 1930 film adaptation of Molnar's play, titled One Romantic Night. Film career In 1902, she had met fellow Canadian Mack Sennett and helped him get a job in the theater. After Sennett became the owner of his namesake motion picture studio, he convinced Dressler to star in his 1914 silent film Tillie's Punctured Romance. The film was to be the first full-length, six-reel motion picture comedy. According to Sennett, a prospective budget of $200,000 meant that he needed "a star whose name and face meant something to every possible theatre-goer in the United States and the British Empire." The movie was based on Dressler's hit Tillie's Nightmare. She claimed to have cast Charlie Chaplin in the movie as her leading man, and was "proud to have had a part in giving him his first big chance." Instead of his recently invented Tramp character, Chaplin played a villainous rogue. Silent film comedian Mabel Normand also starred in the movie. Tillie's Punctured Romance was a hit with audiences, and Dressler appeared in two Tillie sequels and other comedies until 1918, when she returned to vaudeville. In 1922, after her husband's death, Dressler and writers Helena Dayton and Louise Barrett tried to sell a script to the Hollywood studios, but were turned down. The one studio to hold a meeting with the group rejected the script, saying all the audiences wanted is "young love". The proposed co-star of Lionel Barrymore or George Arliss were rejected as "old fossils". In 1925, Dressler filmed a pair of two-reel short movies in Europe for producer Harry Reichenbach. The movies, titled the Travelaffs, were not released and were considered a failure by both Dressler and Reichenbach. Dressler announced her retirement from show business. In early 1927, Dressler received a lifeline from director Allan Dwan. Although versions differ as to how Dressler and Dwan met, including that Dressler was contemplating suicide, Dwan offered her a part in a film he was planning to make in Florida. The film, The Joy Girl, an early color production, only provided a small part as her scenes were finished in two days, but Dressler returned to New York upbeat after her experience with the production. Later that year, Frances Marion, a screenwriter for the Metro-Goldwyn-Mayer (MGM) studio, came to Dressler's rescue. Marion had seen Dressler in the 1925 vaudeville tour and witnessed Dressler at her professional low-point. Dressler had shown great kindness to Marion during the filming of Tillie Wakes Up in 1917, and in return, Marion used her influence with MGM's production chief Irving Thalberg to return Dressler to the screen. Her first MGM feature was The Callahans and the Murphys (1927), a rowdy silent comedy co-starring Dressler (as Ma Callahan) with another former Mack Sennett comedian, Polly Moran, written by Marion. The film was initially a success, but the portrayal of Irish characters caused a protest in the Irish World newspaper, protests by the American Irish Vigilance Committee, and pickets outside the film's New York theatre. The film was first cut by MGM in an attempt to appease the Irish community, then eventually pulled from release after Cardinal Dougherty of the Archdiocese of Philadelphia called MGM president Nicholas Schenck. It was not shown again, and the negative and prints may have been destroyed. While the film brought Dressler to Hollywood, it did not re-establish her career. Her next appearance was a minor part in the First National film Breakfast at Sunrise. She appeared again with Moran in Bringing Up Father, another film written by Marion. Dressler returned to MGM in 1928's The Patsy as the mother of the characters played by stars Marion Davies and Jane Winton. Hollywood was converting from silent films, but "talkies" presented no problems for Dressler, whose rumbling voice could handle both sympathetic scenes and snappy comebacks (the wisecracking stage actress in Chasing Rainbows and the dubious matron in Rudy Vallée's Vagabond Lover). Frances Marion persuaded Thalberg to give Dressler the role of Marthy in the 1930 film Anna Christie. Garbo and the critics were impressed by Dressler's acting ability, and so was MGM, which quickly signed her to a $500-per-week contract. Dressler went on to act in comedic films which were popular with movie-goers and a lucrative investment for MGM. She became Hollywood's number-one box-office attraction and stayed on top until her death in 1934. She also took on serious roles. For Min and Bill, with Wallace Beery, she won the 1930–31 Academy Award for Best Actress (the eligibility years were staggered at that time). She was nominated again for Best Actress for her 1932 starring role in Emma but lost to Helen Hayes. Dressler followed these successes with more hits in 1933, including the comedy Dinner at Eight, in which she played an aging but vivacious former stage actress. Dressler had a memorable bit with Jean Harlow in the film: Harlow: I was reading a book the other day. Dressler: Reading a book? Harlow: Yes, it's all about civilization or something. A nutty kind of a book. Do you know that the guy said that machinery is going to take the place of every profession? Dressler: Oh my dear, that's something you need never worry about. Dressler in Min and Bill Following the release of Tugboat Annie Dressler appeared on the cover of Time in its issue dated August 7, 1933. Despite glamour actresses such as Greta Garbo, Joan Crawford, and Norma Shearer MGM's most prominent female star at the time was Dressler. The aging star consistently packed movie theaters with hits like Min and Bill, Emma, and Tugboat Annie. An exhibitors poll in the January 1933 issue of Motion Picture Herald had Dressler as the number one box office star in Hollywood. Coming to movie stardom late, Dressler had no pretensions and a delightful sense of humor. Once, when visiting William Randolph Hearst's California palace San Simeon, a monkey pelted her with some of his excrement. Dressler responded, "Oh, a critic!" Dressler was very grateful for her career's late resurgence. While working on two films with Wallace Beery, Tugboat Annie. and Min and Bill, she refused to take nonsense from the notorious "son of a b****". In response to one of Beery's insults, she said, "Look you silly s***, you pull one more thing like that on me and I'll have your head. On a platter. And not an expensive platter. A little, cheap, lousy, wooden platter. Like John the Baptist. With a personal note to L.B. Mayer." Dressler's newly regenerated career came to an abrupt end when she was diagnosed with terminal cancer in the early 1930s. MGM studio head Louis B. Mayer learned of Dressler's illness from her doctor (who didn't even tell Dressler of her condition). The studio chief took it upon himself to take charge of Dressler's health. To keep her home, he ordered her not to travel, forcing her to miss a charity event in New York. Although furious, Dressler complied. She only learned about her condition six months later. After some experimental cancer therapy, Dressler returned to work under limitations enforced by Mayer. For the rest of her career, the actress only worked three hours a day and had mandatory stand-ins wherever possible. Before she died in July 1934, Dressler starred in two more features and had a small part in Dinner at Eight. She appeared in more than 40 films and achieved her greatest success in talking pictures made during the last years of her life. The first of her two autobiographies, The Life Story of an Ugly Duckling, was published in 1924. A second book, My Own Story, "as told to Mildred Harrington", appeared a few months after her death. Personal life Dressler's first marriage was to an American, George Francis Hoeppert (1862 – September 7, 1929), a theatrical manager. His surname is sometimes given as Hopper. The couple married on May 6, 1894, in Grace Church Rectory, Greenville, New Jersey, as biographer Matthew Kennedy wrote, under her birth name, Leila Marie Koerber. Her marriage to Hoeppert gave Dressler U.S. citizenship, which was useful later in life, when immigration rules meant permits were needed to work in the United States, and Dressler had to appear before an immigration hearing. In 1907, Dressler met a Maine businessman, James Henry "Jim" Dalton, who became her companion until his death [Death Record 3104-27934] on November 29, 1921, at the Congress Hotel in Chicago from diabetes. According to Dalton, the two were married in Europe in 1908. However, according to Dressler's U.S. passport application, the couple married in May 1904 in Italy. After Dalton's death, which coincided with a decline in her stage career, Dressler moved into a servant's room in the Ritz Hotel to save money. Eventually, she moved in with her friend Nella Webb to save on expenses. After finding work in film again in 1927, she rented a home in Hollywood on Hillside Avenue. Although Dressler was working from 1927 on, she was still reportedly living hand to mouth. In November 1928, wealthy friends Mr. and Mrs. Arthur Neurmberg gave her $10,000, explaining they planned to give her a legacy someday, but they thought she needed the money immediately. In 1929, she moved to Los Angeles to 6718 Milner Road in Whitley Heights, then to 623 North Bedford Drive in Beverly Hills, both rentals. She moved to her final home at 801 North Alpine in Beverly Hills in 1932, a home that she bought from the estate of King C. Gillette. During her seven years in Hollywood, Dressler lived with her maid Mamie Cox and later Mamie's husband Jerry. Miscellanea Although atypical in size for a Hollywood star, Dressler was reported in 1931 to use the services of a "body sculptor to the stars", Sylvia of Hollywood, to keep herself at a steady weight. Biographers Betty Lee and Matthew Kennedy document Dressler's long-standing friendship with actress Claire Du Brey, whom she met in 1928. Dressler and Du Brey's falling out in 1931 was followed by a later lawsuit by Du Brey, who had been trained as a nurse, claiming back wages as the elder woman's nurse. Death On Saturday, July 28, 1934, Dressler died of cancer, aged 65, in Santa Barbara, California. After a private funeral held at The Wee Kirk o' the Heather chapel, she was interred in a crypt in the Great Mausoleum in the Forest Lawn Memorial Park, Glendale, California. Marie Dressler's crypt in the Great Mausoleum, Forest Lawn Glendale. Note that her birth year is given as 1871. Dressler left an estate worth $310,000, the bulk left to her sister Bonita. She bestowed her 1933 Duesenberg Model J automobile and $35,000 to her maid of 20 years, Mamie Steele Cox, and $15,000 to Cox's husband, Jerry R. Cox, who had served as Dressler's butler for four years. Dressler intended that the funds should be used to provide a place of comfort for black travelers, and the Coxes used the funds to open the Coconut Grove nightclub and adjacent tourist cabins in Savannah, Georgia, in 1936, named after the nightclub in Los Angeles. Legacy Dressler in 1908 Dressler's birth home in Cobourg, Ontario, is known as Marie Dressler House and is open to the public. The home was converted to a restaurant in 1937 and operated as a restaurant until 1989, when it was damaged by fire. It was restored but did not open again as a restaurant. It was the office of the Cobourg Chamber of Commerce until its conversion to its current use as a museum about Dressler and as a visitor information office for Cobourg. Each year, the Marie Dressler Foundation Vintage Film Festival is held, with screenings in Cobourg and in Port Hope, Ontario. A play about the life of Marie Dressler called "Queen Marie" was written by Shirley Barrie and produced at 4th Line Theatre in 2012 and Alumnae Theatre in 2018. For her contribution to the motion picture industry, Dressler has a star on the Hollywood Walk of Fame at 1731 Vine Street, added in 1960. After Min and Bill, Dressler and Beery added their footprints to the cement forecourt of Grauman's Chinese Theatre in Hollywood, with the inscription "America's New Sweethearts, Min and Bill." Canada Post, as part of its "Canada in Hollywood" series, issued a postage stamp on June 30, 2008, to honor Marie Dressler. Dressler is beloved in Seattle. She played in two films based on historical Seattle characters. Tugboat Annie (1933) was loosely based on Thea Foss, of Seattle. Likewise Hattie Burns, in Politics (1931), was based on Bertha Knight Landes, the first woman to become mayor of Seattle. Dressler's 152nd birthday was commemorated in a Google Doodle on November 9, 2020. Filmography 1928 The Patsy Ma Harrington MGM 1928 Bringing Up Father Annie Moore MGM 1929 Voice of Hollywood No. 1 Herself Uncredited 1929 The Vagabond Lover Mrs. Ethel Bertha Whitehall RKO Pictures 1929 Dangerous Females Sarah Bascom Paramount Pictures 1929 Hollywood Revue of 1929 Herself MGM 1929 The Divine Lady Mrs. Hart First National Pictures 1930 The Voice of Hollywood No. 14 Herself Uncredited 1930 Screen Snapshots Series 9, No. 14 Herself, at Premiere 1930 The March of Time, "Old Timer" sequence Unfinished never released 1930 Anna Christie Marthy Owens MGM 1930 Derelict 1930 Let Us Be Gay Mrs. 'Bouccy' Bouccicault MGM 1930 Caught Short Marie Jones MGM 1930 One Romantic Night Princess Beatrice United Pictures Corporation 1930 The Girl Said No Hettie Brown MGM 1930 Chasing Rainbows Bonnie MGM 1930 Min and Bill Min Divot, Innkeeper Won - Academy Award for Best Actress MGM 1931 Jackie Cooper's Birthday Party Herself 1931 Politics Hattie Burns MGM 1931 Reducing Marie Truffle MGM 1932 Prosperity Maggie Warren MGM 1932 Emma Emma Thatcher Smith Nominated—Academy Award for Best Actress MGM 1933 Going Hollywood Herself, Premiere Clip MGM 1933 Dinner at Eight Carlotta Vance MGM 1933 Tugboat Annie Annie Brennan MGM 1933 Broadway to Hollywood MGM 1933 Christopher Bean Abby final film before her death MGM 1976 That's Entertainment, Part II MGM 1979 Ken Murray Shooting Stars Ken Murray Productions Quotes "If ants are such busy workers, how come they find time to go to all the picnics?" "You're only as good as your last picture"
Personal Life & Family

Actress, vaudeville, movies
07/28

1934

Death

July 28, 1934

Death date

Cancer.

Cause of death

California
Death location

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Marie Dressler lived 9 years shorter than the average family member when died at the age of 65.

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10 Memories, Stories & Photos about Marie

Amanda S. Stevenson

17.8k+ favorites

09/19/2023

Marie Dressler and Norma Shearer.

Restored.

Date & Place: Not specified or unknown.

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Amanda S. Stevenson

17.8k+ favorites

09/17/2023

Marie Dressler

Her obituary.

Date & Place: Not specified or unknown.

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Amanda S. Stevenson

17.8k+ favorites

09/17/2023

Marie Dressler

$5000 a week for being so funny.

Date & Place: Not specified or unknown.

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Marie Dressler - Character Actress - Academy Award Winner.

Amanda S. Stevenson

17.8k+ favorites

09/17/2023

Marie Dressler - Character Actress - Academy Award Winner.

"Marie Dressler, the Grandest Old Trouper of Them All"

Will Rogers paid tribute to Marie Dressler on the radio just before her death in 1934. “Marie Dressler is the real queen of our movies,” the actor/humorist said of the woman who reigned supreme in theaters across the country in the preceding years. Dressler was a superstar in her 60s, not an easy fete in a business that glorified youth and glamour. The highest-paid MGM star making $5,000 a week, Marie Dressler was not a conventional beauty in the movie star sense, but she had universal appeal. And how! Audiences couldn’t get enough of her quick-witted down-to-earth persona and expressed their appreciation by buying movie tickets at a rapid rate.

The photograph was restored by me.

Date & Place: Not specified or unknown.

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Amanda S. Stevenson

17.8k+ favorites

09/17/2023

Marie Dressler

As a young vaudeville Performer.

Date & Place: Not specified or unknown.

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Amanda S. Stevenson

17.8k+ favorites

09/17/2023

Marie Dressler

As a Comedy Actress.

Date & Place: Not specified or unknown.

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Amanda S. Stevenson

17.8k+ favorites

09/17/2023

Marie Dressler

Hollywood matron.

Date & Place: Not specified or unknown.

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Amanda S. Stevenson

17.8k+ favorites

09/17/2023

Marie Dressler

As a poorer mom.

Date & Place: Not specified or unknown.

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Amanda S. Stevenson

17.8k+ favorites

09/17/2023

Marie Dressler

In color.

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Kathy Pinna

2.74k+ favorites

10/21/2011

Marie Dressler Academy Award Winner

Marie Dressler, a Canadian American Academy Award winning actress with a lamp shade style hat on her head. It's such a funny picture!!

Marie was a star in vaudeville, stage, silent films, and "talkies". Her full figure was in vogue and while she wasn't a beauty, her figure and wise-cracking ways (as well as talent) took her a long way. She was also something of a free spirit, as seen from this photo. (Which wasn't for a character she was playing, this was just her!)

Photo courtesy of the Library of Congress,

Date & Place: 1909 in USA

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Daniel Pinna

10.5k+ favorites

10/21/2011

This is a very comical photo!

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Kathy Pinna

2.74k+ favorites

10/21/2011

YES! Look at her eyes! And she looks soooo fashionable for a distinguished actress! lol

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