African-American.

American

He began working at age 7.

Protestant

Dooley Wilson
Born April 3, 1886 in Tyler, Texas, USA
Died May 30, 1953 in Los Angeles, California, USA (natural causes)
Birth Name Arthur Wilson
"You must remember this, a kiss is still a kiss, a sigh is just a sigh; the fundamental things apply, as time goes by...". . The gentleman who crooned this now legendary tune for the morose Humphrey Bogart and moist-eyed Ingrid Bergman at Rick's Cafe Americain amid the bleak WWII backdrop was none other than 56-year-old Arthur "Dooley" Wilson, an African-American actor and singer who earned a comfortable niche for himself in film history with this simple, dramatic, piano-playing scene.
Dooley was born Arthur Wilson in Tyler, Texas. His exact year of birth was debated for years, listed in reference books as either 1886 or 1894. His grave marker, however, at Angelus Rosedale Cemetery in Los Angeles gives the year 1886. At age 12 he performed in minstrel shows and later became a fixture in black theater in both Chicago and New York (circa 1908). He received the nickname "Dooley" while working in the Pekin Theatre in Chicago, because of his then-signature Irish song "Mr. Dooley," which he usually performed in whiteface as an Irishman. In subsequent years Dooley displayed his musical skills in various forms. As a vaudevillian, drummer and jazz band leader, he entertained both here and in 1920s European tours (Paris, London, etc). From the 1930s to the 1950s he focused on theatrical musicals and occasional films.
Appearing in such diverse Broadway plays as the comedy "Conjur Man Dies (1936) and the melodrama "The Strangler Fig" (1940), along with various Federal Theater productions for Orson Welles and John Houseman. This exposure led directly to his signing on as a contract player with Paramount Pictures in Hollywood. He unfortunately began things off in era stereotypes as porters, chauffeurs and the like. Unhappy with his movie roles he was about to abandon Hollywood altogether when Paramount lent him out to Warner Bros. for the piano-playing role of Sam and the rest is history. In Casablanca (1942), Dooley immortalized the song "As Time Goes By" as boss and nightclub owner Rick Blaine (Bogart) and lost true love Ilsa Lund (Bergman) briefly rekindled an old romantic flame. While paid only $350 a week for his services, Dooley achieved his own immortality as well. However, he was not a pianist in real life and was dubbed while fingering the keyboard. In addition to "As Time Goes By," Dooley's character did warm renditions of "It Had To Be You," "Shine," "Knock On Wood" and "Parlez-moi d'amour."
Back on the live stage Dooley portrayed an escaped slave in the musical "Bloomer Girl" (1946) and, as a result, made another song famous, "The Eagle and Me," which went on for inclusion in the Smithsonian recordings compilation "American Musical Theatre." He graced approximately twenty other motion pictures in all, including the war-era musicals Stormy Weather (1943) and Higher and Higher (1943).
In his final season of performing (1952-1953) Dooley was a regular on the TV sitcom Beulah (1950) which starred Ethel Waters. He played the title maid's boyfriend Bill Jackson and Dooley was the second of three actors who would play the role during its three-season run. Dooley died of natural causes on May 30, 1953, and was survived by wife, Estelle, who subsequently passed away in 1971.
- IMDb Mini Biography By: Gary Brumburgh / [contact link]
Spouse (1)
Estelle Williams (? - 30 May 1953) ( his death)
Did not know how to play the piano. In Casablanca, the piano was empty and the music came from a pianist located behind the camera.
Was on the board of directors of the Negro Actors Guild of America.
Though Wilson received only $350 per week for Casablanca (1942), the cost Paramount imposed on Warner Bros. for the loan out resulted in Wilson being the most expensive of Casablanca's supporting cast.
Dooley won the role of Sam over top contender Clarence Muse who later played Sam in a 1950s TV adaptation of "Casablanca."
Dooley's piano playing in the film was actually performed by pianist/composer/songwriter Elliot Carpenter, who was placed where Wilson could see and imitate his hand movements. The only black talent on the Casablanca (1942) set, Wilson and Carpenter became and remained friends.
There is a line often misquoted from Casablanca (1942). In a scene where Rick (Bogart) sits in the darkened nightclub, alone except for Dooley's piano-playing Sam, he is seen drinking and tormenting himself by insisting that Sam repeatedly play "As Time Goes By," saying, "You played it for her, you can play it for me... If she can stand it, I can! Play it!" Bogart's line is often misquoted as, "Play it again, Sam!"
His vocal of "As Time Goes By" from "Casablanca" (1942) has become so iconic that, more than 70 years later, the original soundtrack recording continues to be used in the soundtracks of new motion picture and television productions.
Salary (1)
Casablanca (1942) $350 /week